Good to see this version—I like it both ways!
I remember working in a shared darkroom space about 20 years ago at the same time as a wedding pro who mainly shot digital but did a little film and was trying to bang out some prints. I had some sepia prints out that day that I was using for reference, which piqued his interest: he asked out of genuine curiosity how one did sepia in the darkroom, having only experienced it as a digital effect. It was nice to be able to explain!