yes, you are right, there is only ISO 100 and 400 see https://www.subcompactcam.com/110_pentax_auto.htm. As there are filter threads, you could "fool" the camera with ND filters, but using ready loaded cartriges with real 110 film is such a relief...Very nice results -- and with 100 film. I guess that ISO 100 is as low as you can go with the Pentax 110 -- am I wrong about that?
Well, you can use ND filters on the Pentax 110 SLR if you want to use faster than 400 speed film, but how can you use slower than 100 ISO speed film and still get it correctly exposed?
Very nice results -- and with 100 film. I guess that ISO 100 is as low as you can go with the Pentax 110 -- am I wrong about that?
Thank you. Even though I only used two 110 cameras (the other one Rollei A110 is no slouch), the Pentax Auto 110 is definitely in a league of its own. And so far I like the 50/2.8 lens best. The Orca 100 film performs well with Adox FX-39 II. And I did no sharpening on those scans.
Yes Pentax Auto 110 can do ISO 100 or 400 film. I actually bought my own bulk roll of Kodak Double-X 16mm 100ft, mainly because 200 is more versatile ISO for indoor/outdoor occasions. I saw there is a newish Foma 100 in 16mm single perf 100ft package, which might get even finer grain.
I try to avoid slicing 35mm or 120 in the dark with very sharp razors.
Shooting 50 speed film at 100 isn't going to kill it. With some cameras you can put a filter over the electric eye. Instamatic 60 comes to mind. I've shot microfilm through it and had good results.
I saw there is a newish Foma 100 in 16mm single perf 100ft package, which might get even finer grain.
Sure, but the Pentax 110 SLR is TTL metering, isn't it?
"there is a newish Foma 100 in 16mm single perf 100ft package"? Have you any further info about this?
Well, you can use ND filters on the Pentax 110 SLR if you want to use faster than 400 speed film, but how can you use slower than 100 ISO speed film and still get it correctly exposed.
you got it. So no fooling of the camera, just influencing the speeds and aperture.Sure, but the Pentax 110 SLR is TTL metering, isn't it?
Foma Fomapan 100 Cine B&W Movie Film 16mm - Single Perf
FOMAPAN Cine 100 16mm is primarily intended for shooting with a film camera, negative processing and subsequent digitization (scanning, post-production).www.freestylephoto.com
Buy one or two of Jim Anderson's 3D printed reels. Paterson size fits Yankee Master, Yankee Clipper, Paterson, and JOBO, too.How'd you get a roll into a Jobo? I'm stuck with yankee clippers.
Buy one or two of Jim Anderson's 3D printed reels. Paterson size fits Yankee Master, Yankee Clipper, Paterson, and JOBO, too.
The ULS search states that your license has been cancelled. Is that correct?
Microfilm and small cameras were made for each other -- and large prints are no problem. Since microfilm often needs LOW ISO -- 20-40 or lower (depends on the developer), it's best to have a camera with a full set of speeds. The Minolta MG-s has the same 12x17mm image size as the QT, and all the speeds from 1/30 to 1/500 -- and you can set the f-stop. And it has a tripod socket, but no SLOW speeds, and the lens does not focus. The later Kiev cameras might be an option, too.
http://www.subclub.org/creative/divide.htm
I'd love an Auto 110 if there were any way to trick the meter into a slower speed,
The later Kiev cameras might be an option, too.
I have quite some 16mm cameras with B shutter speedI'll agree with this. My Kiev 30 is my go-to for 16 mm. With a good shutter speed range and B (less than useful, given no cable socket or tripod mount and the Minolta clamp won't fit over the plastic shell), the focusing lens (a decent triplet) lets you make very good images. If you have steady hands, at least...
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