Thanks for the pointers, I’ll look for folks locally and see what I can find.
As far as the STL, I can probably publish it, but it would be very niche. Grafloc XL wasn’t exactly widespread, and afaik the RH50 is the only back that seems to have the removable part that makes this adapter possible.
Yes, exactly.But you intend to make something that doesn't stick out as far to the sides, projecting from the rear of the RB67-minus-rotating-back and fitting directly against the flat face of the RH50. Using the 4 screw holes that normally fasten the RH50-to-Graflex-XL-plate to the RH50. I do not recall if there is some kind of light trap between the plate and the flat face of the RH50, there may be a groove where you can put something.
No, they never did. The only graflok 23 back is for the RB67, and that is very expensive and also requires type 2 perfs, or a destructive modification to use non-perf film.Not saying these are common items, but wasn't the RH50 also made to fit a 2x3 Graflok mount? If so, that one would mount right on the RB67 rotating back...
All RH50 backs had the XL plate initially, in order to use them on normal 4x5 cameras you needed to remove the adapter plate using 4 screws. Some may not come with it because it was lost, this one does have it.Graflex also made a 4X5 back for the XL camera.
These are rare but I've seen a couple on ebay in the past.
Identifiable by the four pins on the back.
Can you adapt the Polaroid attachment for the RB67 to use regular film?
The only graflok 23 back is for the RB67
Yes, correct.I think you mean 2x3 Graflok mount 70 mm back. I have several Graflex backs (22, 23, RH10/RH20)
And yeah, I know that. FWIW 70mm came out about 15 years before 220. From my vague understanding, 220 was an attempt to make a “drop-in” replacement for 120 that didn’t require camera makers to redesign the film transport system, mostly in response to 35mm, but I imagine that 70mm (which was gaining some popularity for stills use, there were a few dedicated cameras) was also a factor.The 70 mm backs were always specialty items, aimed at folks for whom 220 wasn't enough
Graflex also made a 4X5 back for the XL camera.
These are rare but I've seen a couple on ebay in the past.
Identifiable by the four pins on the back.
I checked eBay for RB67 70mm backs, and there were several listed as of yesterday. A bit higher ($250-$450) than the 6x7 on 120 ProSD generation backs, but if you like 70mm they probably aren't that steep. I've also seen photos of an RH50 on 2x3 mount, which would be a direct plug-in for an RB67.
These are clearly of limited utility, however, given that developing reels to fit common tanks will only hold about 20 exposures worth of film length, even if modified to accept 70 mm film.
I got this RH50 for $10 so I’m perfectly fine with it. Plus, it takes non-perf film without any modifications.
I just looked because I was curious, and I can’t find any reference to a 2x3 version of the RH50, only 4x5. If it did exist it was either a custom mod or maybe a prototype/initial production run with a few units made that they didn’t bring to market (like the 6x6 back for the RB67). But it definitely wasn’t mass produced.I'd presume the film tolerance would also apply to the 2x3 mount RH-50, but it's very hard to argue with that pricing. If I fell into one of those, I'd probably put it on my Speed Graphic...
Unfortunately, the RH50 seems to have a plate that’s permanently attached to the back, seems riveted. Why they only made it for 4x5 I have no idea, but my guess is that it was meant as an attempt to promote the Graflex XL.
The plate is usually held with 4 screws(if it's for the xl)
Not sure if any of the array of lenses offered for the system cover 4X5 though
Unfortunately, the RH50 seems to have a plate that’s permanently attached to the back, seems riveted. Why they only made it for 4x5 I have no idea, but my guess is that it was meant as an attempt to promote the Graflex XL.
Maybe use a mamiya rb p adapter using the plate from the Polaroid pack bolted to the rh50
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