good investigation;thanks for the info.So, I had a roll of TMY last year that had some mottling on it, visible in the smooth tone areas, it wasn't horrible and I made a decent print that you wouldn't see it unless someone told you to look for it.
Fast forward to two rolls of 120, one FP4 and one HP5, that had been sitting in the drawer for over six months waiting to be developed. I was busy doing other things, I guess.
The FP4 came out covered with tiny little black pinpricks, almost as if individual grains had gotten fully exposed. I ran it in a tank with another fresh roll from the same emulsion batch which came out perfect, so there was no chance it was the film or the developer. Nice when you can eliminate two variables!
This left me puzzling, how in the hell did that happen?
So I went to grab the HP5 and process it (also with a same batch fresh roll that had not been sitting in the drawer) and the smell hit me: INCENSE! Sandalwood freaking incense. My son bought it and somehow it ended up in the drawer where I keep all my exposed rolls. I guess I had known it was in there but just didn't think much about it.
Sure enough, the HP5 had the same problem, only worse! And the fresh roll was again perfect.
Something about the incense is causing an aggressive reaction in the film. Lesson learned!
View attachment 230392 Sample image is a crop from a 11" print to show the detail.
That could very well be it. My basement is somewhat humid and they were stored for six months. However, I do keep a dehumidifier running constantly.The classic humid-storage induced mottling of rollfilm aside I do not know a manufacturer's report on such artefact they related to storage condition.
I'm not sure that was the problem. These incenses get their odor from organic alcohols and these tend to be harmless to film.
You know, my entire dry side with enlarger table is made of PLYWOOD! The metal drawers sit right on a 3/4" thick piece of plywood. This bench was built in 1997 and I've used it ever since, but the metal drawers were a gift and they just happened to fit perfectly underneath the enlarger.I would be more concerned about the Formaldehyde used in the manufacture of wood furniture. It tends to hang around for decades and can do just what you see to film.
You can see it quite clearly with the loupe as black spots but not as a surface artifact.ParkerSmith, is the mottling only visible in transmissive lighting or also in reflected lighting, as surface artefact? You would need a good loupe to see.
Am I overlooking something?
Plywood sheets contains much less Formaldehyde than MDF sheets.You know, my entire dry side with enlarger table is made of PLYWOOD!
Cogito sum, ergo sum, cogito.
I think I am, therefore I am, I think.
AgX, yes! It is also the FINISH to whatever you have in the wood like material, and it can appear as irregular spots as we have seen above.
PE
One more reason to stay away from incense! You don't happen to store deuterated chloroform in the same drawer? Time/temperature are suspect as well. Good idea to treat film like the delicate creature that it is. At least it was only one roll. No more incense for me!So, I had a roll of TMY last year that had some mottling on it, visible in the smooth tone areas, it wasn't horrible and I made a decent print that you wouldn't see it unless someone told you to look for it.
Fast forward to two rolls of 120, one FP4 and one HP5, that had been sitting in the drawer for over six months waiting to be developed. I was busy doing other things, I guess.
The FP4 came out covered with tiny little black pinpricks, almost as if individual grains had gotten fully exposed. I ran it in a tank with another fresh roll from the same emulsion batch which came out perfect, so there was no chance it was the film or the developer. Nice when you can eliminate two variables!
This left me puzzling, how in the hell did that happen?
So I went to grab the HP5 and process it (also with a same batch fresh roll that had not been sitting in the drawer) and the smell hit me: INCENSE! Sandalwood freaking incense. My son bought it and somehow it ended up in the drawer where I keep all my exposed rolls. I guess I had known it was in there but just didn't think much about it.
Sure enough, the HP5 had the same problem, only worse! And the fresh roll was again perfect.
Something about the incense is causing an aggressive reaction in the film. Lesson learned!
View attachment 230392
Sample image is a crop from a 11" print to show the detail.
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