Ummm ...
Salicylic acid does not dissolve in distilled water at 20C ...
I placed a very light powdering of the acid on top of my working solution prior to adding the stock concentrate. I put the beaker onto a magnetic stirrer for a good 5 mins ... it is just a precipitate !!
Why do I feel I am going precisely nowhere ?
There is a report of problems with concentrate apparently made with 85% TEA:
http://photo.net/black-and-white-photo-film-processing-forum/00crck
You are not the first to find the Fenton reaction has no measurable effect in the short time the working solution is used, see post 305 here:Results:
First run - gradient is around 0.3166
Second run with salicylic acid - gradient is around 0.3388 using the same techniques.
So a marginally better result but nothing like the 0.48 I am expecting. The film speed is shockingly low at about ISO 16 on the second run.
I will say the stock solution is a very weak straw colour as expected at the start and the colour after development is a deep straw. So it is as normal.
The second run was done using a glass beaker to mix the pre-wash and another for the developer.
Cheers,
When I bought my Salicylic Acid in some pharmacy, they at first assumed I wanted Aspirin, fortunately they asked be before filling the order. Either way, water solubility is a pretty much constant property of such a compound, and if your "Salicylic" doesn't dissolve in 1 g/l in tap water, then something is likely wrong. Can they give you a CAS number of the compound you got?I have contacted New Directions and they assured me it was 100% active powder.
You are correct, solving for two or more intermingled variables at once won't be easy, fortunately we don't have to do this. We can separate the variables, as described in my previous posting: first, with 0.5 g/l Salicylic Acid in solution we make sure that Ascorbic no longer decomposes in your working solution. Then you add alkali until film speed is restored, just to the point where fog becomes an issue. Finally you add Ascorbic Acid until contrast is where you want it.Surely though if I mix salicylic into a little TEA before mixing it into the working solution this would work ... but I guess its changing two variables at once. So would I be better to mix salicylic into glycol (PG) rather than TEA ?
As far as I remember I had no problem dissolving them in the order given. See my comment above.In the Ryuji Suzuki formulae with salicylic acid there is also listed TEA (eg. DS-10) I assume the salicylic is dissolved in the TEA prior to mixing into the whole brew ... The listed ingredients in the DS-10 are not in the order of the making then ...
A change in pH will tell you that something changed, and you can try to correlate a change in pH with a change in both behavior and remedy. The question remains, though, whether a regular pH measurement is less hassle than mixing a smaller batch of concentrate more often.Would it be helpful to make a note of the pH levels ? Or am I going to confuse myself even further ?
Steve,I'm not sure how to go about the test of the concentrate that you suggest. I'm shooting a single sheet of 4x5 of FP4 at a time and processing it in a Jobo drum from the concentrate. I use a slow hand rotation on a Jobo roller base for all film development. How does processing a 35mm film make any difference ?
The 510 seems to go for quite a while before really taking off. The curves show a virtually exponential increase in activity after 5 mins. From other's experiences, the higher strength working solution is even worse. Part of my decision to use it at 1:200 was that it regulated the exponential to some extent.
.....I purchased 5 litres of TEA and various raw chemicals - a number of them at great shipping expense to Australia.....
Steve
I'm currently trying to standardise my workflow around a developer that has an amount of Vitamin C in it.Steve
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