Fomapan 200 reciprocity characteristics are supposed to be easy to test for so I tried. Well it wasn't so straight forward but three 120 rolls later here are some results:
The exposure level I chase in landscape metering is Zone IV = shade side of tree bark, dark rocks, etc. The question becomes "what exposure time extensions must I give for long exposures so I get the same negative densities for Zone IV as at short exposures?" Answers:
Measure 1 second on the meter...give 1.5 seconds
Measure 2 ... give 4
Measure 3 ... give 7
Measure 4 ... give 12
Measure 6 ... give 18
Measure 8 ... give 28
Measure 10 ... give 40
Measure 14 ... give 48
Because I don't own a densitometer the above values are eye approximations arrived at by comparing actual pieces of film side by side on a light box. I am confident I can pick when two densities are the SAME even though I don't know their absolute values.
An experimental constraint that could have been a confounding factor is that the long exposures are made up of several shorter exposures. For example, a forty second exposure is generated out of four ten second exposures. I can't find anything in film technical literature to suggest that a "intermittency effect" is harming my experiment.
I have investigated longer exposures with preliminary results being:
Measure 20 seconds...give 100 seconds
Measure 30 ... give 175
Measure 50 ... give 350
Measure100 ... give 900
These numbers have a more approximate character (wider interpolations) and I want to repeat the experiment some time. The difficulty is achieving close density matches with widely spaced exposure times. Would you believe that doing a long series of consecutive 15 minute exposures is a tedious way to lose an afternoon. You bet.
For completeness I should get around to re-doing these tests with Zone VIII as a target density. Maybe the results will be different. Another thing not measured here is the tendency for reciprocity failure to stretch the contrast of a scene; the bright bits build negative density a lot faster than the lethargic dim bits!
Anyway I have some numbers I believe and I'm going to shoot lots of Fomapan 200 8x10 format at some longish exposures. And I won't be bracketing.
Well, here's a fit to Maris' findings for Fomapan 200 with my favorite formula for reciprocity, the third formula mentioned in my earlier post #19 to this thread:
corrected time = a * metered time^b + metered time
where
a=1.0728074
b=1.4366099
and the numbers compared:
metered.....Maris.....calculated
1..............1.5............2.1
2.................4............4.9
3.................7............8.2
4...............12..........11.9
6...............18..........20.1
8...............28..........29.3
10.............40..........39.3
14.............48..........61.5
20...........100..........99.4
30...........175.........172.1
50...........350.........346.0
100.........900.........901.2
Pretty decent fit.
Lee
I have just acquired a box of FomaPan 200 for a trip I am going on Monday and don't really have sufficient time to start doing some serious testing for the reciprocity.
Having read this entire thread more than once, I am now starting to get quite confused
The chart above shows two different results from what I understand to be two different forms of calculations but looking at them side by side, they are pretty close.
Can anyone confirm that the times above are fairly accurate please
Ian
Hi Ian
I use a phone app simply titled "Reciprocity "
It has most common films, allows for filters and ballow extention among other stuff. Even comes with a timer.
Simply work out your exposure time and it does the rest.
Accurate on all films I have used. Provided my initial time is accurate.
Found most other ways to be hit or miss.
Doesn't take much time to conduct reciprocity tests yourself, where none exist.
Any tips how this can be done without densitometer is a reliable way?
I use the attached formulae.
I precalculated metered time vs. actual time, then printed it out for field use.
BTW, the rated speeds for Foma films tend to be too high. I generally halve them.
fully agree; it's best to correct for lo-intensity reciprocity failure by extending time not opening the aperture.as Pat explained; testing for it is fairly easy. any graphing program will allow for extrapolation.Look up:
www.unblinkingyey.com/Articles/lirf
There are curves for a number of modern films from data by Howard Bond. You will see that all curves have the same slope within experimental error, and are straight lines on log-log paper. If you know the amount of exposure time to be added to any measured exposure time to correct for reciprocity, you can draw the line through that point on the chart parallel to the basic line. That line has 1.62 inches of rise per inch of run.
Somewhere on this forum I saw a link to a site where you can download log-log and other types of graph paper.
I advise not messing with f-stop corrections. For one thing, it messes up your depth of field. For another, it messes up your brain. Dedicate a roll of film to the task. Set up a low light situation and start with the nominal exposure, increasing the exposure time each frame by the same ratio. 2 is a good starting ratio. Develop the roll and find the frame that satisfies you most.
An enlarger and step wedge test can be misleading unless you've balanced the colorhead to daylight color temp. I'd rate the 200 version at 100, or none of this will add up realistically. Actual shooting tests in advance will yield a better indicator than mere formulas. Add strong contrast filters and exp times will be glacial. You need to test for that kind of thing specifically too, with each respective filter you might potentially use. Published filter factors can vary between films, and can significantly change between themselves at long exp times anyway. Night photography introduces special problems due to the probability of unrelated light source spectra in the scene, so there is no substitute for experimental testing in the field, under analogous conditions.
Fomapan practical tests
Just did some practical tests and the reciprocity with Fomapan 200 was not at all like the published data.
At 1 second it only only needed around half a stop (recommendation is 1.5 stops) and at lower light levels 10 seconds it was about a stop (not the 3 stops recommended). These test were made in poor daylight 1 second @ f8 100 EI and very low interior lighting 10 seconds @ f8. These are the conditions the film will be used in.
Still need to test how the film behaves with nigh shots, but it seems to be only a little worse than HP5 / Tri-X for reciprocity failure.
Ian
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