RauschenOderKorn
Member
I tried Fotospeed´s Copper Toner yesterday, and a few things surprised me:
1.) The copper toner comes in two parts, the second part containing the copper sulfate was partially kind of jelly and hard to dilute. Does anybody know what happened?
2.) The shelf live of the set according to instructions is at least one year, yet no production date is on the package? After mixing the toner according to instructions, there was some undissolved jelly floating around in the toner.
3.) The instructions indicate to wipe the prints after toning to "remove scum"? What are they referring to, is it normal that the toner does not dissolve completly?
4.) According to the instructions, the loss of density is supposed to be about 15% (whatever that means). I toned two lith prints to completion, and these lost around 1-2 stops of density (i.e. before they were way too dark, now they are good).
The toner was highly active in the beginning, particularly bleaching donw the print (starting in the highlights). Yet got slower and more acceptable after a few prints.
I actually liked the slow part for giving lith prints - which were just a little too dark - a slight bleach back and a little sepia tone (aprox. 30 seconds toning time only). But I guess I will start mixing my own according to the formula from Tim Rudman´s book.
1.) The copper toner comes in two parts, the second part containing the copper sulfate was partially kind of jelly and hard to dilute. Does anybody know what happened?
2.) The shelf live of the set according to instructions is at least one year, yet no production date is on the package? After mixing the toner according to instructions, there was some undissolved jelly floating around in the toner.
3.) The instructions indicate to wipe the prints after toning to "remove scum"? What are they referring to, is it normal that the toner does not dissolve completly?
4.) According to the instructions, the loss of density is supposed to be about 15% (whatever that means). I toned two lith prints to completion, and these lost around 1-2 stops of density (i.e. before they were way too dark, now they are good).
The toner was highly active in the beginning, particularly bleaching donw the print (starting in the highlights). Yet got slower and more acceptable after a few prints.
I actually liked the slow part for giving lith prints - which were just a little too dark - a slight bleach back and a little sepia tone (aprox. 30 seconds toning time only). But I guess I will start mixing my own according to the formula from Tim Rudman´s book.