Yep - see here: https://rb67.helluin.org/2011/02/09/qa-6x8-on-the-rb67/Wait a minute... There's a 6x8 back for the RB??
Thank YouThe existence of the grip for the RB67 would suggest that they were aware that people were looking to lug them off a tripod and probably out of a studio. But really it isn't that bad to lug around.
They had other smaller lighter options in their lineup from the same period, and you can only make so many products that tick so many specification boxes for so many customers.
I'm sure Mamiya could have basically cloned the Hasselblad, but there was also a push in Japan to make quality products that specifically weren't clones, so they were still under legal pressure to make their own distinct product lines.
Per usual...Thank YouThe RB67 is built on a frame that can theoretically support an 7.6 cm x 7.6 cm negative. It has to be that big to support the 6x8 back.
The Hasselblad is built on a frame that can support a 5.6 cm x 5.6 cm negative.
Very different cameras and camera systems.
Mamiya could have made a rotating back version of their 6x4.5 cameras that would have been similar in size to the Hasselblad, but they didn't elect to do that.
Not that i will ever Need/Want one........but i did not know that either.Wait a minute... There's a 6x8 back for the RB??
Make sure you have the right rotary adapter. It was standard equipment after a certain point in time. If you have the older one, it is easily swapped out with the right one for 6x8.Just looked on eBay... Tempting.
Make sure you have the right rotary adapter. It was standard equipment after a certain point in time. If you have the older one, it is easily swapped out with the right one for 6x8.
It is also important to realize that the viewing system doesn't quite show the whole frame.
Wait a minute... There's a 6x8 back for the RB??
As far as I know, it's not "real" 6x8. The Fuji 6x8 (eg. GW680, GX680) frames are wider.Wait a minute... There's a 6x8 back for the RB??
I haven't shot a handheld picture with my RB67 in 20 years. Even though I have the hand-held grip attachment, that really doesn't help much. I think my neck strap works better to keep it still. If someone insists on using it hand-held, I'd shoot ISO 400 film. In any case, especially because I mainly shoot landscapes with high DOF and slow shutter speeds, I always use a tripod.It's also hard to overstate the feeling of the different camera weights. I am 6"8 and have massive hands (almost 2 octaves on a keyboard, if that helps) and I rarely, if ever, pick up my RB (even though I think I actually prefer the optics and the 6x7 format). The RB is an absolutely gorgeous camera, but I have learned (at least personally) that you have to work with it a bit on its own terms - its more like large format that way. The Hasselblad? Handhold it, put it on a tripod, you are more in control, and that tends to suit the way a lot of people work a bit more naturally.
I pick the RB, in the first round, TKO
I pick the RB, in the first round, TKO
Yes, and also a 70mm ( 6x7 ) magazine too !
John S
I think that's an issue between the 6x7 RB67 and Hassie 6x6 square. You have to pick a format you're comfortable with first.I don't really get on with the 6x7 format. I'd be much happier with 6x9. But mostly I love square.
I think that's an issue between the 6x7 RB67 and Hassie 6x6 square.
Never tried the RB/RZ but absolutely love my Hasselblad. That said, its usefulness without a tripod is overrated. At normal-ish focal lengths you only have 3 shutters speeds to choose from: 1/125, 1/250 and 1/500. You can shoot slower, but you'll lose the medium format level of detail. Things get even worse above 120mm.
And if you're on a tripod, the weight difference probably disappears. I suspect that if I had the Mamiya, I'd be using it exactly the same way I'm shooting with my 501cm.[/QUOTE
I recently shot 60 B&W landscape frames with my Hasselblad and 60mm lens, all handheld. They were all good except for two that failed with my concentration.
I suspect that your RB is actually better than a Hasselblad due to extra weight. Hasselblad's mirror+barn doors movement is not that smooth, and I am fully aware that Hasselblad aficionados disagree with me on that. In the same hands, at the same FOV, the Mamiya 645 Pro can do one stop slower handheld, and the C330 can do two stops slower than a Hasselblad. Technique can always be improved, but all else being equal, it is the least handholdable MF camera I have.
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