yes.
Whut he sez.
My tongue-in-cheek take on this: a lot of people buy 2 rolls of a given film, shoot it off and develop it in a haphazard way in some whatever-developer, and then write on forums saying "oh this is not like the Tri-X that I have used for 20 years, blah, blah..." Or the other way around, "the best thing since Ansel Adams crawled out of the cradle".You need to shoot a good bit of a film and keep at it for a while to see if it works for you. And the negative is only the beginning...
For me, both K100 and 400 are really good films, with Ilford QC, at a very nice price.
Dear epp,
I can only compare Kentmere 400 with HP5+ at box speed and in 35mm. Kentmere 400 is clearly "grainier" than HP5+ (a film I think should get more credit for it's fine grain look to my eye at least), but it takes a lovely photo. Try some, it's certainly priced attractively.
Neal Wydra
I had never heard of Kentmere before I found their film in a local photo store, then I noticed the reference to Harman on the box. The cost was USD $3.68 when I purchased it. It is a 36-exposure roll, so for that price, it wasn't bad.
I also found an older roll of 120 Ilford XP2, its foil wrapper untouched, expiration date unknown.
Umm..in my experience the exact opposite is true. fast films lose speed more rapidly than slower films. I have 100 ISO film that expired in 1964 that still seems as good as new.It is not intuitive but faster films tend to age better than slower but given the dates you quote I don't think you will see any deterioration, I would just pragmatically process as promptly as possible the latent image may not be as stable as fresh film.
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