CORRECTION: Yes, film aprons, although probably not the named 'Kodacraft apron' are still available new!All that said I have found the perfect system that I can always load in the dark--the Kodacraft aprons. But they aren't sold any more.
I started without any textbook, let alone video or internet. Let alone a darkroom.
All I got was a new two-reels Jobo tank, a bottle of developer concentrate, a sachet with fixing salt, and a floating thermometer. All went fine.
From my 4th roll on I bulk-loaded. All I had and new of were reloadable plastic cassettes. Again, all went fine.
Yes - for 127 and 616/116 as well.Did Kodak make these for 35mm?
Kodacraft tank. Now that's a foolproof method! The apron leaves little contact marks on the margins. Still available on Ebay. Did Kodak make these for 35mm?
Whatever gets the job done is great. My Mom could knit a sweater and read a book at the same time. I can barely tie a knot.
I've tried that, but had problems with uneven development.I found that the metal separator that is supposed to go between the two rolls of 35 will fit in a standard el cheapo metal tank. So rather than using a Kodacraft tank (which can’t be inverted) I use them in a standard stainless tank.
This is a substantial benefit. Other than daylight-loading as such.It was significantly easier than loading 120 onto a reel in a dark bag.
the price is killing it for me.Not many details, but it's a multi format daylight film development tank system. Not sure how it's gonna work...
http://www.ars-imago.com/lab-box/
This is a substantial benefit. Other than daylight-loading as such.
What type of reel did you use as comparison?
Try putting a frame of some sort inside the bag, to keep the bag open and off your hands.I'm currently using Arista Premium plastic reels with the larger tabs that make loading easier. Even with these, loading 120 in a dark bag gives me major problems due to lack of space and sweaty hands. I've also tried standard Paterson and stainless reels, those are a no-go in the dark bag for me. 35mm is easy with the Arista Premium reels in a dark bag.
I used Paterson and stainless reels in a proper dark room many years ago. It took some practice but I could load 120 on them. I just don't have a space that I can easily use as a dark room right now (might change with upcoming home renovation/remodeling plans).
A large changing tent or box may work better. There would be more space, but sweaty hands would still be a problem.
the price is killing it for me.
The stockist in the U.K. is Firstcall Photographic and the price is £179. It looks expensive but if you are a hybrider and will never need a darkroom and you are into film for the longhaul and still in your 20-30s then over a 40 year period or even longer the price may begin to look more attractive Can anyone who subscribed to the kickstarter say what this saved them compared to the retail price?the price is killing it for me.
Can anyone who subscribed to the kickstarter say what this saved them compared to the retail price?
I also see that you can not use PET base films with it which is a shame as I like quite a few films on that base and it seems to be the modern option with new films
robin
It's because the vertical cutting blade cannot cut through PET, it's the same with the Rondinax 35. However, it's not a problem if you are using bulk film, you just have to attach an extra 1 or 2 inches of non-PET film to the spool.
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