A) If the reflected beam stays centered on the target,
this indicates the laser is perpendicular and the baseboard
is parallel to the reflecting surface
Is that reflecting surface meant to be an exact substitute
Questions from one who does not use a laser for alignment.
Is that reflecting surface meant to be an exact substitute
for the negative? Is it assumed that the negative and
the reflecting surface occupy the same plane? Dan
Just to elaborate on another technique ...
Yet another technique:
Just suppose or postulate that if a projected image
is in form the exact of some object projected then
we can say within our context that the system
is aligned.
Based upon that postulate I've aligned my enlarger
using the square of the negative carrier as the object
for projection. At the baseboard I employ a square to
assure 90 degree agreement.
That's it. Of course the image need be well focused
for accurate use of the square. An object truly square
but smaller than the negative carrier could be the
subject for alignment. Dan
"That will align the negative stage to the baseboard, ..."
Yes.So a square projected and still true on the baseboard
assures that the planes of both the negative stage and
baseboard are parallel.
Correct.Now we introduce a tilt into the lens stage. The optical
axis is not now perpendicular to the two parallel planes.
Am I to believe that the tilting of the lens has no effect
upon the shape of the projected image? No other effect
than some out of focus condition?
No. You have to tilt the easel relative to the negative to achieve the correction of keystoned perspective and make the parallel sides parallel again. Of course, this means that the plane of focus cuts through the easel/paper at some angle. The lens is then tilted to take advantage of the Scheimpflug principle in order to match the plane of focus to the plane of the easel/paper. You could also leave the easel on the plane of the baseboard and tilt the negative stage to correct for parallel lines, then tilt the lens to correct the plane of focus to match the baseboard according to the Scheimpflug principle.I've never had course to use Schleimpflug corrections
when enlarging. With those one may, by tilting the lens
correct for distortion in the negative. As I understand it
the correction is a distortion of the negative's image
upon the baseboard; a corrective distortion. So by
a tilting of the lens a square at the negative stage
may become a trapezoid or a parallelogram
upon the baseboard. Dan
You have to tilt the easel relative to the negative to
achieve the correction of keystoned perspective and
make the parallel sides parallel again. ... The lens is
then tilted ... in order to match the plane of focus
to the plane of the easel/paper.
Yes, SHARP and SQUARE would confirm alignment.I believe I've correctly postulated although I should
have emphasized SHARP as well as square.
I found that most of my lenses will reflect concentric rings when the laser is pointed right in the center and perpendicular to the axis of the lens. I use this rather than a flat filter or glass over the lens. Because the lens axis may or may not be perpendicular to the front of the barrel where the flat glass would be.
I use the concentric rings and adjust the lens stage so they fall back in the center. Same as if you had placed the microscope slide over the lens barrel and aligned the single dot back in the center. In my case, bouncing off the front of the lens gives concentric rings (rather than a single dot) that can be aligned to come back to the center of the laser.So how do you adjust the lens to center it?
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