When I get some more time I will try to get a better view. I am used to looking at grain like this so it made sense to me. I won't be printing for awhile, but I will see if I can get a shot through the grain focuser on the enlarger.
Karl,
You don't have to go through that trouble for me. All I need to know is if you think this grain in your Tri-X/PC-512 shot looks similar to the grain you would get with Tri-X and say Xtol or D-76. I'll take your word for it either way.
JohnW
My initial thoughts for Delta 400 are that base fog is noticeable and Dmax is not as high as I would expect. Around 1.35 with my densitometer for a Zone VII exposure patch whereas I would normally get around 1.60. I'll plot the graphs when I have the full set of developing times (see below).
I am using a Jobo CPE+ with lift, 21C, 5 minute pre-wash, 7 min 45 sec development , water rinse, 6 minute fix in TF-4.
I want to run another test at 8 minutes 15 seconds to see if the Dmax increases without much more base fog.
These times are those from Ilford/Harman for Delta 400 in XTOL stock, which seem to be in the right range for me.
My usual developer is Thornton's Two Bath (metol and sodium sulphite, sodium metaborate), so my baseline may be biased towards a grade 2 printing negative.
Awesome, look forward to it!I started playing around with this developer over the weekend. Hope to have a video up in the next couple of weeks.
Negative scans for EI400 and EI800 at Technical gallery: https://www.photrio.com/forum/media/pc-512boraxdelta400-8min15s002-jpg.68067/
Raw scan from my Epson 4870. I put it in the gallery because it accepts a larger file.
To my completely untrained eye the PC-512 grain looks finer but even if my judgement is correct I have no idea how this translates into grain as it appears in a print
pentaxuser
Water | 800 ml |
Borax | 19 g |
Ascorbic acid | 6 g |
Phenidone | 0.15 g |
Water to | 1 L |
I think the grain is about the same size but the edges on the grain in PC-512 Borax are harder/sharper and I expect that this is the reason that I perceive the graininess to be somewhat higher, though not massively so.To me, it appears that the XTOL shot was of a textured surface whereas the PC-512 shot was of a smooth surface. Texture makes grain difficult for me to assess, but on examining small smooth areas of the XTOL neg, it appears that grain is about the same. If so, that's an exceptional accomplishment.
Here's a developer created by Patrick Gainer in 2009 using the same ingredients. His posting is here.
...
Mark
Ryuji has some favorable comments on ascorbate developers including better tonality and sharpness than HQ and tolerance of variation in composition. Probably maintained with PC-512 Borax rather than the compositions he used.
Replying to my earlier comment with further info. Gainer was barking up the wrong tree there, mixing borax and glycerol/glycerin forms a reasonable amount of boric acid. The resulting pH would about 6 in the needed quantities. This is the opposite of what you want. I think this is what Kirk was saying in the thread linked above in #87. Also glycerin is too thick to work well in my opinion.Lower in the thread Patrick experimented with Glycerol and was able to dissolve quite a lot of borax. There may be a path there to a nice concentrate
Looking at the sky section, you can see it, but at least it's what I would call "well defined" and sharp. Better than "mushy" type grain anytime, at least I think so anyway. Plus, it doesn't jump right out at you. When grain becomes a problem for me is when I look at a print and can only seem to see or focus on the grain. That's just me and what I perceive to be acceptable grain. Other folks love huge, in-your-face grain. I'm somewhere in between.
Yeah with Ilford Delta 100 it is very tiny and smooth grain. That’s 35mm film. That was the film I originally tuned the developer around. I imagine you can take that well past 11x14 though I can’t print bigger than 8x10 right now due to space.relistan, the sky in the country road with trees and drystone wall looks pretty grain free to me. Was this a 35mm or 120 negative and is there any way to relate the example to what size of a print this represents?
Thanks
pentaxuser
Well done Andy! Pretty hard to beat Xtol. PC512 could probably be fine-tuned a little more and make a fine all-around film developer. I always prefer a developer with a looooong shelf life, which PC512 should have.Karl, I hope you don't mind me sticking my video here! I played around with your developer, comparing it to Xtol.
Karl, I hope you don't mind me sticking my video here! I played around with your developer, comparing it to Xtol.
Well done Andy! Pretty hard to beat Xtol. PC512 could probably be fine-tuned a little more and make a fine all-around film developer. I always prefer a developer with a looooong shelf life, which PC512 should have.
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