what I never understood is what the point of taking work to a one hour lab is, when bothering to shoot film. I would think that, more often than not, the reasoning for shooting film is control, of output... from exposing the film, to developing film, to making a print. Yet when a lab (or outside source) comes into the picture (pun intended) you are completely losing what seems like a major part of the control and handing it over to an unknown variable - the lab or outside source.
why not just shoot digitally... Ive always felt (and this is a personal feeling) that if I was going to shoot color work Id just shoot digitally from the get go, or at the least shoot film, develop it myself and print it myself... so that all control/responsibility and results are created by my hand (or with a little help from a computer in the case of digitally)
The best one-hour labs are wonderful; the worst are awful; and with change of personnel, they can change overnight. I've seen it happen!
My wife had the same problem at a local Walgreens. They cut the first strip of 35mm just one sprocket hole off... and then the rest of the roll (and the resulting prints, of course!) was off, too. What's more, they scanned the whole roll for a cd, and every single scan was off by that one sprocket hole, even from the negs that were not cut! Grrrr....I had Wal-Mart cut through frames once...used them only sparingly after that.
No offense, but this little story is not likely to convince anyone to "stop knocking one-hour photo" labs!I work at an Eckerd back home, here at college we don't have those and the Brooks stores don't have labs so I applied at a walgreens. They run an agfa Dlab at the store I was at...get this you splice the neg on a leader card, touch the screen on the printer end for what product you want IE 4x6 singles with an index print, cd and white borders. No way to color correct, no way to scan at high res in case a client wants to outsource large prints w/o sending unreliable qualex the neg, ect. I feel like there were ways to do all of the above but I was fired on my third day for "wasting chemistry" after multiple control strips showed the fixer was so toasted the best course of action was to dump and remix.
Doesn't really make sense to go to the pro-labs with the huge difference in price for something similar.
You get what you pay for, that's it, if you have ever done your own color processing and printing it blows 1hours away.
Thanks for the vote of confidence in my skills! Honestly, you wouldn't want me to process your colour film. Trust me on this one.You get what you pay for, that's it, if you have ever done your own color processing and printing it blows 1hours away.
You get what you pay for, that's it, if you have ever done your own color processing and printing it blows 1hours away.
I had Wal-Mart cut through frames once...used them only sparingly after that.
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