Having read about this in your book, was this a practice that was used to try and get different batches of particular materials closer to each other, or to prevent the scrapping of an entire master roll of coated product? Were there any products that required this treatment more than others?
And instead of a filter-coating publish, not even print on the box, per batch a CC-filter (or more appropriate) table.
Would it not be the same isssue? There are already respective codes for industrial/commercial labs on type 135 cassettes.
What about a respective App and a QR-code on the box for those who scan?*
But likely you will tell us that printing such code on each box is more expensive than a whole filter coating run... (well, I like your comments on production costs issues most of us not even think about...)
(*As most fellows here know, I am ignorant on scanning algorithms.)
Those who do RA-4 in the darkroom can expose HELIOS without a filter.
hey pay attention to amazon and ebay sellers. its quite the experience.
Sort of like cutting your brake lines before you start the downhill driving part of "driving through the rocky mountains"
Sellers have figured out how to make a fortune overpricing stuff on Amazon and also by selling crap. They set up their own seller account advertising a product they bought from someone else and half the price they are asking. Buyers aren't paying attention or shopping effectively and pay double or more than what they should. Plus many products are expired or just bad. Amazon does a poor job of monitoring its sellers. Depending on the nature of the product, I often skip Amazon and go directly to the manufacturer even if I have to pay slightly more. Often I save money. You have to shop around.
For film, I'll buy only from camera sellers like B and H who stand by their products to keep their customers happy while Amazon continues to sell junk.
Can I use Colour film in my camera instead of Color film? Do I need special filters? Do I need different camera settings?
We are about to launch Color Mission II "Helios". With this film we took most concerns raised in this thread into account like triacetate base prices and other factors (it comes on our usual clear PET). HELIOS will not only be a new color film stock, it will also be available in various formats (depending on our progress in solving technical challenges in finishing) and through our dealer network at a price which will be lower than COLOR MISSION I and most likely (as per our knowledge) the lowest color film price in the market. The film does require some tweaks like a dedicated filter and a very low ISO but it has the potential to bridge the current gap as it will be available in substantual quantities and produces fine color images if exposed and filtered corectly. At least in the summer when there is enough light, it can be shot handheld. In the fall or under clouds you will need a tripod or a flash. As with all COLOR MISSION products all funds raised from film sales will go to R&D to re-engineer something similar to COLOR MISSION I.
There is a theory that one of Kodak's motivations in creating the Tmax films was to reduce their silver costs which had spiked. Other manufactures followed suit with T-grain products. Steve Anchell says this was an abomination and that consumers were being cheated out of their silver and the Tmax films were inferior to cubic grain films.
Can I use Colour film in my camera instead of Color film? Do I need special filters? Do I need different camera settings?
We are about to launch Color Mission II "Helios". With this film we took most concerns raised in this thread into account like triacetate base prices and other factors (it comes on our usual clear PET). HELIOS will not only be a new color film stock, it will also be available in various formats (depending on our progress in solving technical challenges in finishing) and through our dealer network at a price which will be lower than COLOR MISSION I and most likely (as per our knowledge) the lowest color film price in the market. The film does require some tweaks like a dedicated filter and a very low ISO but it has the potential to bridge the current gap as it will be available in substantual quantities and produces fine color images if exposed and filtered corectly. At least in the summer when there is enough light, it can be shot handheld. In the fall or under clouds you will need a tripod or a flash. As with all COLOR MISSION products all funds raised from film sales will go to R&D to re-engineer something similar to COLOR MISSION I.
We are about to launch Color Mission II "Helios". With this film we took most concerns raised in this thread into account like triacetate base prices and other factors (it comes on our usual clear PET). HELIOS will not only be a new color film stock, it will also be available in various formats (depending on our progress in solving technical challenges in finishing) and through our dealer network at a price which will be lower than COLOR MISSION I and most likely (as per our knowledge) the lowest color film price in the market. The film does require some tweaks like a dedicated filter and a very low ISO but it has the potential to bridge the current gap as it will be available in substantual quantities and produces fine color images if exposed and filtered corectly. At least in the summer when there is enough light, it can be shot handheld. In the fall or under clouds you will need a tripod or a flash. As with all COLOR MISSION products all funds raised from film sales will go to R&D to re-engineer something similar to COLOR MISSION I.
I look forwad to seeing this hit the market!
The requirement for a filter is a faff....but I know you guys at Adox are working towards a final goal and this is a significant step on the way. Might be interested myself too.
Just speaking for myself, I think a 5 pack with two filter sizes (if you use different cameras or lenses) would be greatWe have to still crunch the numbers but most likely there will be a three or five pack including one size filter of choice.
If I am not pedantic, how could I teach?
Glibly.
T-grain film technology was a gigantic step forward and gave us many things we take for granted today like fine-grained ISO 800 color film, etc. It made 110 cameras give acceptable image quality etc etc etc etc ETC.
To throw this progress and effort down the toilet, is obscene. I don't know who Steve Anchell is but his argument is ridiculous. This was major technical progress that increased the sharpness and the sensitivity of film. Tmax 100 and Tmax 400, as well as the Acros and Delta films, are wonderful films able to give amazing results. As are Provia 100F, Velvia, Superia... who also use this technology in the Fuji-guise. As are Portra and Ektar.
Ektar 100 has the fine grain that Ektar 25 had some decades ago. Thanks to T-grain advances (and other progress).
I don't care if a film has "more" or "less" silver, to argue about that is completely silly, sadly some marketers used the "more silver" argument to push their technologically inferior film. "More silver" is good if you need very high Dmax if you're making B/W slides and intend to project them, other than that...
Photo Engineer (RIP) said many times that if your manufacturing process is not so good, you'll need more silver than necessary. This isn't a good thing.
Steve Anchell is the author of the Darkroom Cookbook, and the book has a sidebar on Tmax400 vs Tri-X (Anchell likes Tri-X better for "microcontrast" reasons). The post you quoted was giving a biased summary of this sidebar. I personally agree with you about T-grain films and think that Anchell's opinions give too much weight to Kodak economizing and his personal taste for Tri-X. But he doesn't say that customers were "being cheated out of their silver," anyway.
Folks, this thread is in the Colour Film sub-forum!
(extra u added intentionally)
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