Xpro and crossbird are not the same film
I would beg to disagreeA lot seems to depend these days on the definition of the word "truth". Matt King was unable to get anything resembling what I would regard as the truth from Pemberstone about rebadging and for my part I have made a similar inquiry of Pemberstone in a way that only an unequivocal answer was possible. Needless to say I got an equally vague answer that told me nothing but did help me to decide that in terms of the films that were allegedly Kentmere the only sensible action was to buy on price as the only real distinguishing feature.
pentaxuser
The 800 is now the only high speed C41 film on the market.
There is also Portra 800... but then you'd be forgiven for forgetting about that as it's cheaper (and sometimes better) to under expose Portra 400 a stop.
Anyhoo, I bought a box of the Lomo 800 last winter and quite liked it. I'll be stocking up ready for winter this year
My understanding, which may be incorrect, is that the reference to the "barcode" is a reference to a barcode which forms part of the edge printing on the film.As for the barcode number on Lomography 800 film, they haven't changed the 135 canisters since they were sourcing film from Ferrania years ago.
I must admit that i assumed the Made in USA on the film was a big clue to origin
That isn't always reliable, "made in..." usually means 75% of the value of the product has to come from the stated country.
A different opinion here; https://emulsive.org/articles/rollei-cr200-ei-200-35mm-xpro-by-alexis-analog
I've been trying to do some digging on this, and haven't been able to get very far, but what are all of Lomographies repackaged color films?
I read that 100, 400, and 800 are repackaged Kodak gold- But Gold doesn't come in 100 or 800 speeds anymore, and does Kodak specifically do 120 rolls of gold just for Lomography?
xpro is supposedly ct precisia, which would explain why it's not available- though since I have three rolls, should I shoot it at iso 100 if I want to process it in e6?
I'm not convinced Lomochrome is a repackage.
I don't know what's used for the redscale films.
And I don't know much about what the 110s are.
And just so you don't ask, I don't have that much interest in figuring out what their black and white films are.
Did you read the article? It is basically a screed against CR200 because it is not Provia (which is the one correct observation in the article). There is some nonsense about cross processing it as it is not a "real" slide film, and he ends with an off hand and unsubstantiated remark that the LOMO XPRO is probably the same thing..
These seems to be variable between batches, some experience it others not. I agree with you that Agfa would normally have a bluish tone rather than yellow, however all of it must be quite old now, given the Aviphot colour films ceased production some years ago and is probably why its sold for cross processing - dont expect accurate colours here!
Yes I did read the article. I didn't say anything about Provia.
Rollei has an established brand and reputaion to cosider.
Recently used my last rolls, processed E6 and agree it has a great warm look. I thought it was Gevaert in origin though.Did you read the article? It is basically a screed against CR200 because it is not Provia (which is the one correct observation in the article).
As mentioned above, CR200 is certainly not Provia, but it is a beautiful film. The colors are somewhat muted and realistic and it reminds me of perhaps an Astia look.
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