Three years ago I sold my MF gear and a MP purchased in 2003. I replaced the MP with a less expensive mint M5. I wanted to downsize while there was still a market and have fun with the M5.
I plan to buy, use and resell due to my age. What type M3 has the most appeal allowing a graceful exit.
Three years ago I sold my MF gear and a MP purchased in 2003. I replaced the MP with a less expensive mint M5. I wanted to downsize while there was still a market and have fun with the M5.
I plan to buy, use and resell due to my age. What type M3 has the highest demand and allows for a graceful exit. When I hit 80 I’ll be divested of the expensive stuff while keeping my worthless SRT 101 bought in 1967.
The value is irrelevant, as what you are buying is a precision instrument with superb design which is unsurpassed by any 35mm camera ever made.
When I read your opening post I had to do a double take and check the date, it reads like a pessimistic posting from 2002 about the end of film photography. There are however more types of 35mm film available now than there was back then, and it may not be sold in such vast quantities, and it may not all be available from the local camera shop, but everybody else's optimism seems to be directly at odds with your assessment of where film photography will be in three years time.
So, the M3. There won't be 339 M3 cameras available to buy. The Japanese dealers while not being deceitful often have more than one moniker and while advertising the camera twice they sell it once. You need to be aware and factor in your fear tolerance that cameras and lenses from Japan sometimes have fungus, and while descriptions are mostly accurate from Japanese dealers cameras can be described as excellent 'considering there is a bit of fungus'. So already there aren't really 339 cameras worth choosing from, so now you start to look at fungus free cameras from the USA or Europe which is pretty much where everybody else is looking and this limit to the marketplace makes an M3 relatively rare in good condition. Just as a good M3 will be in three years time, rare, but without the decline in demand you anticipate.
The limiting factor with the M3 is in itself, not a decline in film photography. They are getting increasingly difficult to repair while at the same time need more repairs because many are coming up for their first service in sixty years. These factors plus any cosmetic problems make M3's hard to sell except to old people with genuine nostalgia or young people with imagined nostalgia. They will buy anything and then complain about problems on camera forums. So you should be looking for a recently serviced mint condition M3 and you'll know when you find it because the price will be much higher than an average one, but worth it.
However I'll argue that an M3 is the last camera to buy as a swansong to film photography, if you want to go out with a bigger bang consider an M2, or an M4 or M4-P, or buy another MP. Why? Because as a last throw of the dice wouldn't it be nice to have more usable framelines, load the film easier, or even have a meter? An MP will hold it's value and probably keep up with inflation ready to be snapped up by an enthusiastic film user three years from now knowing it will keep them going for another ten or twenty years of film photography. While an M3 will still be a fragile old camera desired by many but feared by an equal number. And while the M3 is considered as the Rolls Royce of cameras (mistakenly imo) by many if you've ever ridden in a vintage Rolls Royce you'll immediately feel the benefits of a more modern design. I've had three M3's in that past and the only Leica I would never buy again is another M3.
To me, it is the smoothest, purest Leica M I have ever used. The viewfinder experience with it's mint 50 Rigid is just Leica perfection.
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