Yeah, I will defintiely continue to use the backs on the GS-1, so whatever I come up with shouldn't make the back unusable on the GS-1.
So I took some photos to provide details. Some of the photos may look a bit wonky--I adjusted contrast to make things visible (photographing black on black loses a lot of visible detail, so the adjustments were to make distinguishing features clear.
First the box, with part number:
So here is the basic device. The Bronica backs have two hooks at the top you slide under the two silver pieces at the top, then pivot the base of the back down to lock the base. The protusion on the lower left (1) is the button to release the lower latches to remove the back. The lower mount also has to press a pin to allow removal of the dark slide.
All the 2x3 graflok roll film backs have a release somewhere to allow advancing to the next frame. The GS backs don't have this since it is normally handled by the camera body. On this adapter there is a big chrome button (2) that takes that function.
Here is a picture of the side that mates with the Linhof. Nothing much interesting here:
Here is a shot showing a back mounted:
I mentioned in a previous post that there is a piece that spaces the glass back to match the Bronica film plane. The silver headless screws are the actual spacers since they stick beyond the black frame on both sides. I didn't measure them yet, but they are in the ballpark of 3mm.
And the other side for completeness:
So I mentioned a fit issue in a previous post. The Technikardan uses L-shaped carriers. There is a piece (that moves with the frame, not the L that directly conlicts with the back release button (1) shown in the second photo above when in landscape orientation.
Here I tried to hold the back at the approximate position to see how they conflict:
The solution is for landscape to mount the back upside down. The has a weird benefit. If you've owned a GS-1 and other 6x7 cameras (I also have a P67), you probably know that most of them roll the film from left to right. This has the benefit that when you develop the film and cut the negatives, you have to flip the film to make the images upright, so the images read cronologically left to right, older to newer. Its the same with most 35mm cameras and other roll camera. The mostly roll left to right.
The GS-1 backs roll the film right to left. So when I shoot a roll develop and sleeve the film, if the images are upright in the sleeves, then I have to read the negatives chronologially from right to left. With the flipped back on the linhof adapter, I'm flipping the film when taking it effectively moving the film left to right, so when I sleeve a roll shot on the Linhof it will read chronologically left to right--i.e. normal for most of us. (as a drawback, if I shoot some frames on a single roll with the linhof, and some with the Bronica, then some frames will be upside down compared to others.
And of course there are no issues shooting in portrait. It could in fact mount in either orientation in portrait mode. The TK23 doesn't allow full rotation on any backs (not just the Bronica adapter), but in a Technika 23 you would have the ability to use portrait, landscape or any other angle you want since those cameras have no protrusions to stop rotation.
I'm still waiting for the weekend to give this a run through. I'd have been happier if Linhof made a 2x3 Graflok back, since I have a lot of horseman backs, and I prefer 6x9 over 6x7. The did make a 2x3 Graflok back for their 679 cameras (also works on the Techno I think). But I'm happy to at least have found this.