I find it is quite easy to use 70mm, once I get the right camera + back combo. The development and scanning is a bit more complicated, so right now I tend to simplify it into this procedure:
1) Load and shoot as normal, but only up to 220 length
2) Once reach 220 length, go into a complete dark room, slice 70mm into 120/220 width
3) Load sliced film to 220 reel and develop in normal Paterson tank
4) Scan like 120/220 and store in 120/220 sleeves
In addition, I recently got an old military camera that uses 70mm film: J.A. Maurer P-2 camera.
I’m fan of this format, I have had 3 616 cameras and still I own one Super Ikonta 530/15.
I have still few HP5+ and loads of TriX of this format.
Alex, do you have good documentation of one or more of these cameras? As I mentioned in an earlier post, I'd love to add some documentation about the 116/616 format to the site.
Lucky. I have heard it’s good stuff. I would love to get some, but sadly it all seems to be perforated, so for my use case (slitting to 120), it isn’t useful. Maybe one day I’ll get a 70mm back for my RB, and get a plastic 70mm dev reel and process it in the dark.
I've slit down perfed 70mm Plus-X without too much issue. It doesn't feel great when it's being slit but it works. Careful of the edges, they turn into sawblades, whatever they're using to make that film is some tuff stuff.
Would you mind sharing a picture? I’m curious to see if the perforations are intact, or if they are cut off. Maybe send it via the 70mm to 120/220/620 thread, don’t want to hijack this thread.
I can one day make photos with white background and also my daylight tank, back paper and spools.
Don't forget this monster from Hasselblad.
The 500 exposure magazine ( pictures courtesy of 'Club Hasselblad' )
Don't forget this monster from Hasselblad.
The 500 exposure magazine ( pictures courtesy of 'Club Hasselblad' )
John S
That is a lot of frames to process at once. I'm cautious processing 5 rolls of 120 in a Jobo.
Hi, from a strictly historical standpoint the specialized long-roll portrait cameras were probably the biggest users of 70mm film, at least in the US. If you're using the internet as your main source of info, it seems to be pretty much lacking in this respect.
I've made a handful of posts about the use of these cameras. See the following link, along with a couple other links within that post. https://www.photrio.com/forum/threads/any-former-processing-lab-people-out-there.175798/page-3
Personally I sorta see trying to use 70mm film today as something of an uphill battle. The infrastructure that once existed is nearly nonexistent and I sorta doubt there is enough demand for film manufacturers to even bother producing it.
"NIKOR 70MM TANK WITH STAINLESS STEEL REEL"
You may unlock perfection thereafter.
Shooting 85 frames a roll is nuts. It would Take me forever.
Little birdie is telling me 1400 ft of 70mm Kodak SO-415 is about to go on sale from Seawood Camera!
What kind of film is this?
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