I was wondering if anyone else has run into this.
Shouldn't be. I've shot film at -20C and no problems with quality film, no difference than at summer. Static discharge COULD be a problem when advancing and handling, but this is not it.First i am wondering whether this effect could be temperature-related. The picture was taken during winter and you say that on some of these rolls this effect present. Is it only on rolls used in the cold?
This was a bog standard EOS camera and a factory-loaded 35mm cassette. Also, in-camera scratching due to transport issues is sharper defined. This really is a coating defect.I've had similar linear defects a couple of years ago with a roll or two of Ilford film where the aperture of the cassette had apparently been set fractionally tight for the tension of the particular camera it was used in.
Nope. At a theoretical level, there's no explanation that would make this work, and moreover, I've processed other rolls from the same batch shot under much warmer conditions and they showed the same kind of defects.whether this effect could be temperature-related
I think you're on to something here. I was musing about this and I suspect that bubbles in the emulsion could explain this. Most of the bubbles get 'smeared out' as the film passes the coating head, leaving a thinner zone of emulsion.If there were air bubbles in the emulsion or if viscosity of the emulsion wasn`t even
Indeed. Btw, there's something on this roll in two places that looks like static - and then again, it doesn't:Static discharge COULD be a problem when advancing and handling, but this is not it.
Yeah, I've also not seen this specific problem except what I mentioned in the OP, despite having shot a decent amount of Fomapan film.I've shot a lot of Foma 100, 200 and 400 in 35mm bulk and Foma confectioned and haven't seen anything like that.
I agree; it's logical that those factors are brought up and it's good to consider them, but they're not the cause here.24 months old shouldn't be a problem nor should the cold. It doesn't look like a camera problem either.
Dirt, abrasions or just lack of preventive maintenance; something along those lines. Effective quality management is holistic by nature; I can imagine it's hard to implement something like that and at the same time serve the bottom-end of the market, price-wise.Could the issue be caused by dirt on a roller of their film making equipment? If so that would explain its sporadic nature, sometimes they clean it, other times it's left with dust or debris.
This was a bog standard EOS camera and a factory-loaded 35mm cassette.
With the batch number handy I'd contacy Foma and see what they have to suggest.
I still think it's tension stress
Did you develop it in a Jobo?
I've also never run into the kind of issue you imply despite having used Jobo rotation development for many hundreds of rolls of film.
Why don't you send some photos of the emulsion damage to Foma? Mail them a strip of it.
I doubt I'll go through the trouble; as said, it's not my film.
I hope that due to higher demand for B&W Foma is not taking shortcuts of letting QC slip
This bit of film could have been damaged by any number of things
Nothing happened to this film that would explain this sort of anomaly.
I'm not really looking to have a discussion on cognitive dissonance and other aspects of psychology.
Is it possible some moisture entered the camera at the take-up spool side, made the emulsion stick to itself as the moisture evaporated, then cause the issues upon rewinding?
the emulsion out when developing film in a Jobo to prevent any source of abrasion racing along the inside of the film from doing damage. Foma is quite soft and very easy to damage.
Where's this coming from???
I was getting scratches on film developed in a Jobo. They went away when I started putting the film emulsion-side-out. So, you could say it came from personal experience. It only happened rarely.
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