Harman Photo cryptic announcement/teaser

BrianShaw said:

1600 GMT/UTC. 8AM in San Clemente. Thanks!

Click to expand...

Makes sense if the main launch is in California. As the main influencer-users are shooting away with the new film will the Beach Boys' "Good Vibrations" be playing in the background?

pentaxuser

Flighter said:

Yes, obviously not a film, it's the new Harman semi-panoramic camera with a 24mm x 43mm negative size, 20 exposures to the roll!

Click to expand...

Looks more like 70mm preloads

Molli said:

Well, twenty minutes into the day of the big reveal and nothing to report from this side of the world....

And we still need another 53 posts to crack the fifteen hundred!

View attachment 355115

Click to expand...

I figured it would be rockets and illuminations in Sydney harbor (harbour?) like New Years

Would you settle for cheers and beers in San Clemente pier, and the pubs up the street?

Nitroplait said:

But it is the US Kodak made Fuji 200 & 400, right?

Click to expand...

Yes, still, unfortunately.
It's been a couple weeks since I last visited.
There are rumors around that Fuji Japan c200 manufacturing and shipping has resumed. Fingers crossed.

And Ferrania choose to announce Orto in 120 just hours before the big Harman launch. Good or bad idea?

pbromaghin said:

And Ferrania choose to announce Orto in 120 just hours before the big Harman launch. Good or bad idea?

Click to expand...

Depends on The Big Reveal being a disappointment or not.

I mean, the influencers will all talk about the Second coming even if this is a just a “Metropolis” kind of film… But the people sitting on the social media bandwagon might not be the same ones that care about ortho and 120, so Phoenix probably will have no effect on Ferrania.

Only 40 some posts to break 1500.

Will this mean we will see more or less of the Adox color mission stuff?

Brad Deputy said:

Yes, still, unfortunately.
It's been a couple weeks since I last visited.
There are rumors around that Fuji Japan c200 manufacturing and shipping has resumed. Fingers crossed.

Click to expand...

I've seen fresh Velvia and Superia in Ukraine, so it's fair to assume US will get a roll or two too

Agulliver said:

I don't think there's much point reminiscing about when beer was 20p a pint, film was a dollarpound a pop

Click to expand...

Agulliver said:

and everyone was on strike.

Click to expand...

That’s been the last two years in the UK

Agulliver said:

Those days are gone and aren't coming back.

What is important is that the younger folk who are new to film photography and who are driving the resurgence, mostly want to shoot C41 colour. Which is why a stable supply of reasonably priced film aimed at amateurs is important.

Click to expand...

Totally agree, I don’t think people realise how popular consumer films like ColorPlus are compared to Portra (for example)

Agulliver said:

And for sure, these $8 a roll prices have been something we in the UK and Europe could only dream of for several years already in terms of colour film.

Click to expand...

I was buying ColorPlus for £6.50/roll last year, but only because Analogue Wonderland weren’t taking advantage of the scarcity price inflation

Agulliver said:

When I was in the USA last year I made a point of stocking up on that batch of genuine Fuji Superia 400 that dropped into Wal-Mart stores knowing that Kodak Ultramax back home is about double the price.

So a new C41 film that may be imperfect but which isn't some "trick FX" film is always going to be welcome. The first, limited edition will sell because of the hype. Ongoing business will surely require a consistent supply and a price no higher than Kodak colour films. If Harman offer "something a bit different", that's fine....when I have said they probably should be looking at something of similar quality to Color Plus I don't mean an exact copy....I mean something that can work for amateurs with simpler cameras. Because while I do see young folk out with SLRs, more often than not it's 80s P&S cameras they're shooting with.

Click to expand...

Brad Deputy said:

Yes, still, unfortunately.
It's been a couple weeks since I last visited.
There are rumors around that Fuji Japan c200 manufacturing and shipping has resumed. Fingers crossed.

Click to expand...

One London retailer has received a delivery of several container boxes of proper "made in Japan" FujiFilm C200, which looks like fresh film from a photo I've seen. So perhaps Fuji have indeed resumed manufacturing and shipping.

pbromaghin said:

And Ferrania choose to announce Orto in 120 just hours before the big Harman launch. Good or bad idea?

Ferrania Orto/120 - 50 ISO

Ferrania Orto incarna le stesse qualità lussuose della P30, con il suo alto contenuto di argento e la grana praticamente impercettibile. Tuttavia, si tratta di un prodotto completamente nuovo sviluppato utilizzando prodotti chimici moderni per ottenere un'estetica ortocromatica classica...

www.filmferrania.com

Click to expand...

COmpletely different market and audience, though they'll be aware we are watching....and we are more the intended market for Orto in 120. I doubt this will have any effect on sales of either film.

Agulliver said:

One London retailer has received a delivery of several container boxes of proper "made in Japan" FujiFilm C200, which looks like fresh film from a photo I've seen. So perhaps Fuji have indeed resumed manufacturing and shipping.

Click to expand...

Sorry for asking, what is a "container box" (ship container)? What quantities are we talking about?

Is the name of the retailer a secret? Any other Fuji colour negative film in that shipment?

My intention with my previous message was not a "bring back the 20p pints", so I apologise if it was read that way.
I was simply trying to summon my thoughts on how the ever increasing price of film will affect the uptake of film photography in younger people.
I am one of those younger people who started to shoot film because it was cheap and readily available. I know how precious a roll of Portra seemed to me, even when they were £10-12, because I just didn't really have much money to spend. I understand that was then and this is now, and the logistics were not feasible for the current market. But where people were going after the film P&S a few years back, now its the digicam that's getting the attention from the younger people, because it fills in that cheap lo-fi gap without the additional cost for processing and such. Granted that film photography was never cheap as some have pointed out, but in the current economic situation with the cost of living crisis and so on, the purchasing power of a young person, who is likely a student is low and putting hundreds of pounds towards a hobby where mistakes are going to be made it can put them off entirely from ever trying it.

On an aside, hearing that Fuji may have resumed manufacturing of C200 is good news. It was my go-to everyday film for a few years, I never got on very well with Colorplus.

This bloke has some for you:

koraks said:

I don't think so, really. Exposure isn't through the base. Perhaps I misunderstood what you meant?


Aerocolor doesn't have the same spiky curve, though.

I think it's all due to limiting complexity to the bare minimum required to make a color film. And probably to be able to coat it on the lines the already have without resorting to double coating or adding a costly new coater to the existing line.

Click to expand...

Compensation for the lack of a mask in a material that (unlike Aerocolor - which for its intended usage doesn't need one) is designed for relatively low contrast, sea level usage would be a likely reason for the spectral sensitising anomalies - it's easier for Ilford to probably make a custom sensitising dye than specific colours of couplers for the mask right now.

M14 seems to have several interchangeable coating heads of various widths - the main unanswered question is if Ilford have innovated to get total layers to 10 or less (doable with a single coating head pass) or not - and if that means they acquired a new coating head for this project.

This morning on my Facebook feed there was a post from Hong Kong claiming Ilford will release a new C41 film for street photography with a vintage color palette. I hope the vintage part isn’t true.

SilverShutter said:

the purchasing power of a young person, who is likely a student is low and putting hundreds of pounds towards a hobby where mistakes are going to be made it can put them off entirely from ever trying it.

Click to expand...

I used to think that, but when you look at the ages of some people buying Hasselblads and Leicas I‘m not so sure. If you’re used to paying £1500 for a phone, then skipping one generation and getting a Hasselblad instead isn’t such a big deal.

Lachlan Young said:

Compensation for the lack of a mask in a material that (unlike Aerocolor - which for its intended usage doesn't need one) is designed for relatively low contrast, sea level usage would be a likely reason for the spectral sensitising anomalies - it's easier for Ilford to probably make a custom sensitising dye than specific colours of couplers for the mask right now.

Click to expand...

I don't really follow, to be honest. Maybe I'm just slow. I don't see how spectral sensitivity would depend on the presence of an orange mask, which serves mostly to correct for the hue of the actual color dyes. Spectral sensitization and hue color are quite different things, aren't they? Sensitizing dyes (and sulfur, gold, osmium etc.) are stuck to the silver grains to manipulate spectral sensitivity. Dye couplers are chosen for the dye and resulting hues they form. Of course there's a relation in a functional sense. But I don't quite follow why the absence of a mask would have implications for spectral sensitivity in a specific band. Unless the argument is "the whole thing is simpler, so that extends to both mask and spectral sensitization". In that sense, I can agree.

Lachlan Young said:

the main unanswered question is if Ilford have innovated to get total layers to 10 or less

Click to expand...

Kodak & Fuji etc. have used 2-3 dye-forming layers per color for decades, which gets you beyond the 10-layer mark (easily). I guess they have good reasons for this.
I don't see Harman innovating in a sense that their first market entry with a color film fundamentally improves the state of the art by simplifying the layer stack significantly while achieving similar performance. By all means, it looks like they're inching their way into the field very much like Inoviscoat has been doing, with a rather rudimentary product to begin with. The snippet from the datasheet I saw suggests nothing like a normal C41 color film like we're used to. It looks like something that escaped from the 1960s. Which is not a bad thing, per se. It may have a charm to it.

brbo said:

Sorry for asking, what is a "container box" (ship container)? What quantities are we talking about?

Is the name of the retailer a secret? Any other Fuji colour negative film in that shipment?

Click to expand...

Sorry, probably a bad descriptive word on my part. Each box has 20 triple packs of film so 60 films in each box. The retailer has at least three boxes of 60 because they posted photos of them. I am not revealing who until they get back to me regarding if this is, indeed, fresh new stock.

The people selling it for £9,999,999....that's likely a placeholder while they await new stock,. Nik and Trick have that price for things like Microphen and ID-11 that are currently out of stock but which will undoubtedly be restocked soon.

bfilm said:

Nico mentioned this film recently on his photography show and said that it looked pretty good, better than their current color film. Hopefully, they have also worked out something to start doing the cartridges and finishing in Germany.

Click to expand...

Neither InovisCoat nor FilmoTec have any confectioning capabilities for 135 film cassettes. So far they outsourced their film confectioning to a Chinese partner, what they also confirmed officially.

Best regards,
Henning

Page 1 of 6 Nov 2023HARMAN PHOTOHARMANtechnology Limited TECHNICAL INFORMATIONHARMANPHOENIX 200ISO 200/24º C41 PROCESS COLOUR FILMHARMAN Phoenix 200 is an experimental ISO 200, C41 process, colour negative film with high contrastand strong visible grain.It can be used for any photographic subject with results dependent on ambient lighting conditions, colourpalette, and exposure accuracy. Best results are typically obtained outdoors with consistent light and mediumbrightness scenes whilst metering for the mid-tones.HARMAN Phoenix’s high contrast can lead to punchy, vibrant scene rendition, even under softerlighting, although both colours and contrast can be controlled depending on the scanner and scanningparameters used. Adjustment of standard scanning parameters is advised to achieve the best results. (See laterinformation).HARMAN Phoenix 200 is easily processed in C41 / CN16 processing chemicals and can be exposed in therange EI 100– 400. The best overall results are obtained at EI 200, however highlight control may be improved byunderexposing 0.5– 1 stop depending on the scene.HARMAN Phoenix 200 film is available in ISO 200 DX coded cassettes with 36 exposures and is suitable for all35mm film cameras. WHY HARMAN PHOENIX 200 IS DIFFERENT:HARMAN Phoenix 200 is an experimental C41 colour film and the first ever made by HARMAN Photo. As suchit has characteristics that make this very different to the more traditional, established C41 colour negatives films.In addition to the risk of occasional coating anomalies, this film does not have masking dyes and limitedantihalation incorporated in the base layer. This means that striking halation effects around bright lightsources and reflections are possible. In addition to its atypical colour rendering, this film has a distinctlyanalogue look when shooting certain scenes and colour palettes.EXPOSURE RATING:HARMAN Phoenix 200 film has a speed rating of ISO 200/24° (200ASA, 24DIN, EI 200) to daylight. The speedrating was measured using standard C41 processing. Although rated at 200/24°, Phoenix can be exposed overthe range EI 100/21°–400/27°.


Page 2 of 6 Nov 2023 ARMAN Phoenix 200 Technical Information SPECTRAL SENSITIVITY: Wedge spectrogram to tungsten light (2856K)Film contrastHARMAN Phoenix 200negatives are higher contrast than most conventional colour films. Some bracketing ofthe exposure may therefore be required to correctly capture the scene’s brightness, particularly on bright days. FILTER FACTORS:HARMAN Phoenix 200film may be used with all types of filters (e.g., Polarising or neutral density filters) in theusual way. Follow the instructions given by the filter manufacturer.MAKING LONG EXPOSURES:For exposures between 1 and 1/10 000 second, noadjustments are needed for reciprocity law failure.When exposures longer than 1 second are given,HARMAN Phoenix 200, along with other films, needs tobe given more exposure than indicated by a meter. Usethe graph to calculate the increased exposure timewhich should be given once the metered time is known.The graph is based on the formulae Ta = Tm1.31 Ta = Adjusted TimeTm = Metered Time
0.01.02.03.04.05.0300350400450500550600650700750800
R e l a t i v e S e n s i t i v i t yWavelengthGreenBlueRed


Page 3 of 6 Nov 2023 ARMAN Phoenix 200 Technical Information CHARACTERISTIC CURVE:HARMAN Phoenix 200 film processed through standard C41 type chemicals.PROCESSING: HARMAN Phoenix 200 film is processed in the standard C41 colour negative film process. This film can beprocessed alongside all makes of colour negative film.Safelight recommendations HandleHARMAN Phoenix 200film in total darkness. C41 type processing HARMAN Phoenix 200 film is fully compatible with C41 type processing chemicals, both replenished (e.g.in dip and dunk or roller transport processors) and unreplenished (e.g. in spiral tanks or with Jobo one-shotrotary processing). The film can be put through standard C41 lines with no adjustment to processingspeed, temperature, or replenishment rates.DryingIf processing by hand and to avoid drying marks, use a clean squeegee or chamois cloth to wipe the filmbefore hanging it to dry. Dry the film at 30–40°C/86-104°F in a drying cabinet or at room temperature in aclean dust-free area.Machine processing– use default C41 machine settings.Push processing Push processing is not recommended for HARMAN Phoenix 200.STORAGE:For immediate use, storeHARMAN Phoenix 200in a cool (10–20°C/50-68°F), dry place in its originalpackaging.HARMAN Phoenix 200may be stored in a fridge/freezer but allow plenty of time for the film to acclimatiseprior to use.Exposed filmOnce exposed, process HARMAN Phoenix 200 as soon as practical. Exposed films should always be storedin cool, dry conditions - as recommended above.Unexposed FilmStore unexposed film in the same way as other colour films, i.e., in a cool (10–20°C/50–68°F), dry place in itsoriginal packaging.


Page 4 of 6 Nov 2023 ARMAN Phoenix 200 Technical Information NegativesStore processed negatives in a cool (10–20°C/50-68°F), dry place, in the dark. Suitable storage sleevesinclude those made of cellulose triacetate, Mylar, paper (pH6.5–7.5) or inert polyester.Correctly processed HARMAN Phoenix 200 negatives usually have a magenta / purple tint, although theexact image colour will depend on the method of processing.Emulsion side identificationUnlike some negatives HARMAN Phoenix 200 emulsion has a glossy surface. To determine the emulsionside, view the negatives towards a light source, with the edge signing reading correctly the emulsion isfacing away.SCANNING & PRINTING: Print making HARMAN Phoenix 200 negatives are printed in the same way as other colour C41 films. Either via scannednegatives or direct analogue exposure.ScanningSettings for popular scanners is detailed in the next section.

Page 5 of 6 Nov 2023HARMAN Phoenix 200 Technical Information SCANNING: Unlike more traditional colour negative films,HARMAN Phoenix 200does not have an orange mask. This canaffect scanner response and some adjustment may therefore berequired to achieve the optimum results. Somerecommendations for best settings are shown below.These scanning settings were developed byHARMANLab.com in conjunction with and support from The Darkroom.com, Analogue Wonderlab, SilverPan Film Laband Blue Moon Camera and Machine.Fujifilm SP3000Below are our starting point recommendations. Nb. many labs will have their own preferred workflow, so theseshould be treated as guidance only. These settings can be assigned to a custom channel as follows.Main Menu > Setup & Maintenance >Password “7777” > Print condition set-up & check>Custom setting register.Assign the settings to any free channel and save under appropriate name e.g., Phoenix– please see theScanner manual for further information.It is also possible to set a specific auto DX channel for the film, however the settings are more limited, and this isnot recommended, unless it is your preferred workflow.NB. As with other C41 process films, Digital Image Correction and Enhancement (Digital ICE) can be used toremove dust and scratches automatically from the image.Input TypeNegativeTone CorrectionHypertone = YesFull correctionTone adjustment = StandardHighlight level = NormalShadow level = NormalMode = 1 Sharpness/Grain ControlSharpness Process = NoGradation/BrightGamma: Shadow=– 4,Midtone= -2, Highlight =0Balance = All 0Bright Mode = 0Colour Mode = 0 Key Step WidthDefault (CMY = 5, D=10)BL = Default (0)SL = Default (0)(Only impacts Key corrections)Other Corrections Saturation = -3


Page 6 of 6 Nov 2023 ARMAN Phoenix 200 Technical Information Noritsu HS1800, LS600, LS1100Noritsu scanners can easily be configured to work with HARMAN Phoenix 200. Many labs will have apreferred configuration. Below is our recommended starting point to give good results with minimalconfiguration. Global SettingsColour Correction = StdGradation Correction(135) = ONBasic Dens Correction = 1Scanner = ONTungsten Correction = 80CF = 80Basic colour correction = 0(All others 0 or OFF)Input TypeNegativeDSA SettingsAuto Contrast Ov = 0Auto Contrast Sh = 0Auto Contrast Hi = 0Auto Sharpness = 0Chroma = 100Grain Suppression = 0Auto Contrast 2 = 5CS Balance (red) = 0CS Balance (blue) = 0Colour Balance and DensityStarting pointsY = -2M = 0C = +2D = Adjust as requiredSettings can be adjusted during the workflow and applied to all frames using the hold function, or by creationof a print channel specifically for HARMAN Phoenix 200. To create a print channel, you must log in with theservice menu password. (See below)In the function menu -Press F1 then F9, enter the service password in the prompt “2260”. Entering the service password will now allow you to edit and save new print channels.Please see your operation manual for your scanner / EZ Controller for more information. Epson V850 & Epson flatbed scannersUse full autoexposure and auto colour.Digital Camera ScanningPlease follow your normal workflow for scanning with a digital camera. Using your conversion software, youcan adjust the parameters to suit your tastes.Other ScannersFor scanners not listed above, as a guide use the following settings.- Auto exposure / Colour correction = On- Sharpening– Off or Low- Saturation– Depending on the scanner a small reduction of up to 30% may give more desirableimages.HARMAN technology Limited,Ilford Way, Mobberley,Knutsford, Cheshire WA16 7JL, Englandwww.harmanphoto.co.uk

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Oh, well, so much about a decent consumer film...

Scanning in glass holders and printing without two ANR surfaces will be fun, too.

Emulsion side identification

Unlike some negatives HARMAN Phoenix 200 emulsion has a glossy surface. To determine the emulsion side, view the negatives towards a light source, with the edge signing reading correctly the emulsion is facing away.

mshchem said:

New Harman Phoenix 200 film leaked online - Photo Rumors

Information on the new Harman Phoenix 200 film leaked online: No related posts.

photorumors.com

Click to expand...

Oh, we've got a datasheet. The red and green curves are more or less parallel, but the blue one isn't.

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Page 1 of 6 Nov 2023HARMAN PHOTOHARMANtechnology Limited TECHNICAL INFORMATIONHARMANPHOENIX 200ISO 200/24º C41 PROCESS COLOUR FILMHARMAN Phoenix 200 is an experimental ISO 200, C41 process, colour negative film with high contrastand strong visible grain.It can be used for any photographic subject with results dependent on ambient lighting conditions, colourpalette, and exposure accuracy. Best results are typically obtained outdoors with consistent light and mediumbrightness scenes whilst metering for the mid-tones.HARMAN Phoenix’s high contrast can lead to punchy, vibrant scene rendition, even under softerlighting, although both colours and contrast can be controlled depending on the scanner and scanningparameters used. Adjustment of standard scanning parameters is advised to achieve the best results. (See laterinformation).HARMAN Phoenix 200 is easily processed in C41 / CN16 processing chemicals and can be exposed in therange EI 100– 400. The best overall results are obtained at EI 200, however highlight control may be improved byunderexposing 0.5– 1 stop depending on the scene.HARMAN Phoenix 200 film is available in ISO 200 DX coded cassettes with 36 exposures and is suitable for all35mm film cameras. WHY HARMAN PHOENIX 200 IS DIFFERENT:HARMAN Phoenix 200 is an experimental C41 colour film and the first ever made by HARMAN Photo. As suchit has characteristics that make this very different to the more traditional, established C41 colour negatives films.In addition to the risk of occasional coating anomalies, this film does not have masking dyes and limitedantihalation incorporated in the base layer. This means that striking halation effects around bright lightsources and reflections are possible. In addition to its atypical colour rendering, this film has a distinctlyanalogue look when shooting certain scenes and colour palettes.EXPOSURE RATING:HARMAN Phoenix 200 film has a speed rating of ISO 200/24° (200ASA, 24DIN, EI 200) to daylight. The speedrating was measured using standard C41 processing. Although rated at 200/24°, Phoenix can be exposed overthe range EI 100/21°–400/27°.


Page 2 of 6 Nov 2023 ARMAN Phoenix 200 Technical Information SPECTRAL SENSITIVITY: Wedge spectrogram to tungsten light (2856K)Film contrastHARMAN Phoenix 200negatives are higher contrast than most conventional colour films. Some bracketing ofthe exposure may therefore be required to correctly capture the scene’s brightness, particularly on bright days. FILTER FACTORS:HARMAN Phoenix 200film may be used with all types of filters (e.g., Polarising or neutral density filters) in theusual way. Follow the instructions given by the filter manufacturer.MAKING LONG EXPOSURES:For exposures between 1 and 1/10 000 second, noadjustments are needed for reciprocity law failure.When exposures longer than 1 second are given,HARMAN Phoenix 200, along with other films, needs tobe given more exposure than indicated by a meter. Usethe graph to calculate the increased exposure timewhich should be given once the metered time is known.The graph is based on the formulae Ta = Tm1.31 Ta = Adjusted TimeTm = Metered Time
0.01.02.03.04.05.0300350400450500550600650700750800
R e l a t i v e S e n s i t i v i t yWavelengthGreenBlueRed


Page 3 of 6 Nov 2023 ARMAN Phoenix 200 Technical Information CHARACTERISTIC CURVE:HARMAN Phoenix 200 film processed through standard C41 type chemicals.PROCESSING: HARMAN Phoenix 200 film is processed in the standard C41 colour negative film process. This film can beprocessed alongside all makes of colour negative film.Safelight recommendations HandleHARMAN Phoenix 200film in total darkness. C41 type processing HARMAN Phoenix 200 film is fully compatible with C41 type processing chemicals, both replenished (e.g.in dip and dunk or roller transport processors) and unreplenished (e.g. in spiral tanks or with Jobo one-shotrotary processing). The film can be put through standard C41 lines with no adjustment to processingspeed, temperature, or replenishment rates.DryingIf processing by hand and to avoid drying marks, use a clean squeegee or chamois cloth to wipe the filmbefore hanging it to dry. Dry the film at 30–40°C/86-104°F in a drying cabinet or at room temperature in aclean dust-free area.Machine processing– use default C41 machine settings.Push processing Push processing is not recommended for HARMAN Phoenix 200.STORAGE:For immediate use, storeHARMAN Phoenix 200in a cool (10–20°C/50-68°F), dry place in its originalpackaging.HARMAN Phoenix 200may be stored in a fridge/freezer but allow plenty of time for the film to acclimatiseprior to use.Exposed filmOnce exposed, process HARMAN Phoenix 200 as soon as practical. Exposed films should always be storedin cool, dry conditions - as recommended above.Unexposed FilmStore unexposed film in the same way as other colour films, i.e., in a cool (10–20°C/50–68°F), dry place in itsoriginal packaging.


Page 4 of 6 Nov 2023 ARMAN Phoenix 200 Technical Information NegativesStore processed negatives in a cool (10–20°C/50-68°F), dry place, in the dark. Suitable storage sleevesinclude those made of cellulose triacetate, Mylar, paper (pH6.5–7.5) or inert polyester.Correctly processed HARMAN Phoenix 200 negatives usually have a magenta / purple tint, although theexact image colour will depend on the method of processing.Emulsion side identificationUnlike some negatives HARMAN Phoenix 200 emulsion has a glossy surface. To determine the emulsionside, view the negatives towards a light source, with the edge signing reading correctly the emulsion isfacing away.SCANNING & PRINTING: Print making HARMAN Phoenix 200 negatives are printed in the same way as other colour C41 films. Either via scannednegatives or direct analogue exposure.ScanningSettings for popular scanners is detailed in the next section.

Page 5 of 6 Nov 2023HARMAN Phoenix 200 Technical Information SCANNING: Unlike more traditional colour negative films,HARMAN Phoenix 200does not have an orange mask. This canaffect scanner response and some adjustment may therefore berequired to achieve the optimum results. Somerecommendations for best settings are shown below.These scanning settings were developed byHARMANLab.com in conjunction with and support from The Darkroom.com, Analogue Wonderlab, SilverPan Film Laband Blue Moon Camera and Machine.Fujifilm SP3000Below are our starting point recommendations. Nb. many labs will have their own preferred workflow, so theseshould be treated as guidance only. These settings can be assigned to a custom channel as follows.Main Menu > Setup & Maintenance >Password “7777” > Print condition set-up & check>Custom setting register.Assign the settings to any free channel and save under appropriate name e.g., Phoenix– please see theScanner manual for further information.It is also possible to set a specific auto DX channel for the film, however the settings are more limited, and this isnot recommended, unless it is your preferred workflow.NB. As with other C41 process films, Digital Image Correction and Enhancement (Digital ICE) can be used toremove dust and scratches automatically from the image.Input TypeNegativeTone CorrectionHypertone = YesFull correctionTone adjustment = StandardHighlight level = NormalShadow level = NormalMode = 1 Sharpness/Grain ControlSharpness Process = NoGradation/BrightGamma: Shadow=– 4,Midtone= -2, Highlight =0Balance = All 0Bright Mode = 0Colour Mode = 0 Key Step WidthDefault (CMY = 5, D=10)BL = Default (0)SL = Default (0)(Only impacts Key corrections)Other Corrections Saturation = -3


Page 6 of 6 Nov 2023 ARMAN Phoenix 200 Technical Information Noritsu HS1800, LS600, LS1100Noritsu scanners can easily be configured to work with HARMAN Phoenix 200. Many labs will have apreferred configuration. Below is our recommended starting point to give good results with minimalconfiguration. Global SettingsColour Correction = StdGradation Correction(135) = ONBasic Dens Correction = 1Scanner = ONTungsten Correction = 80CF = 80Basic colour correction = 0(All others 0 or OFF)Input TypeNegativeDSA SettingsAuto Contrast Ov = 0Auto Contrast Sh = 0Auto Contrast Hi = 0Auto Sharpness = 0Chroma = 100Grain Suppression = 0Auto Contrast 2 = 5CS Balance (red) = 0CS Balance (blue) = 0Colour Balance and DensityStarting pointsY = -2M = 0C = +2D = Adjust as requiredSettings can be adjusted during the workflow and applied to all frames using the hold function, or by creationof a print channel specifically for HARMAN Phoenix 200. To create a print channel, you must log in with theservice menu password. (See below)In the function menu -Press F1 then F9, enter the service password in the prompt “2260”. Entering the service password will now allow you to edit and save new print channels.Please see your operation manual for your scanner / EZ Controller for more information. Epson V850 & Epson flatbed scannersUse full autoexposure and auto colour.Digital Camera ScanningPlease follow your normal workflow for scanning with a digital camera. Using your conversion software, youcan adjust the parameters to suit your tastes.Other ScannersFor scanners not listed above, as a guide use the following settings.- Auto exposure / Colour correction = On- Sharpening– Off or Low- Saturation– Depending on the scanner a small reduction of up to 30% may give more desirableimages.HARMAN technology Limited,Ilford Way, Mobberley,Knutsford, Cheshire WA16 7JL, Englandwww.harmanphoto.co.uk

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