What store? I remember going to a shop in Salt Lake City, about 15 years ago. Small shop, still lots of analog. To the best of my recollection it had been there for decades. Nice store.
We'll have to wait for some samples, but unless spec sheet is intentionally selling this film short, this is not even Orwo NC500 level.
This better cost 15+ EUR or else nobody will buy it...
Agreed, but that's truly not the point. They have to start somewhere, and pouring many millions upon millions of dollars into developing something perfect without releasing intermediate attempts would mean never doing color film at all. I'm planning to buy 10 or so rolls tomorrow just to support them and experiment with. I won't use them for anything important, at least not to start, of course. If it helps Harman progress toward something better so that 10 years from now I can buy great color film from them, I find that well worth it.
In other words, I see the transaction between me and them as something more than the typical I give you money, you give me a product that meets my needs and that's the end of it. It's more like, I give you money, you give me a so-so product, and I hope it helps you do better in the future.
Thanks for the update. I was hoping they would figure out a way to do this in Germany, but I guess not yet. I thought at one point they were working on that, but if so, then I guess it is not completed.
...I'm planning to buy 10 or so rolls tomorrow just to support them...
The example photos shown on firstcall leave me unimpressed. Not for me, I'm sure there will be plenty of buyers.
You're welcome.
I know this topic is quite complicated and not so easy to understand for people outside this industry. That is the reason I try to explain the facts here, even if I am repeating my explanations several times.....
Yes, I know the video (a good one, I can highly recommend watching it) and I can confirm this data: I have visited the Polaroid factory in Enschede, too. Earlier than my factory visit in Monheim. And indeed the demand for and production of Polaroid instant film increased significantly in these last years. In Monheim they told me that they are doing coating runs of Polaroid base negative and positive film almost daily. And the demand has further increased since then.
And the quality of the Polaroid film has also significantly increased. I was positively surprised by the quality of their latest film in their latest high(er) quality camera at the Photopia fair in Hamburg this September. Really a different world compared to the results I got some years ago.
Fujifilm has invested a lot over the last 15 years in instax film. A huge success story. Instax film and cameras are a very big mass market. Fujifilm is producing more instax instant cameras p.a. than all Japanese digital camera manufacturers combined (!!).
In the instant film market Fujifilm is by far market leader with a market share of more than 90%.
They are selling more than 70 million film packs (!) p.a., and it is further increasing.
Best regards,
Henning
I just to say thanks for your contributions here.
Sorry for asking, what is a "container box" (ship container)? What quantities are we talking about?
What is the airspeed of a swallow?
Thanks, just saw that now. Certainly a different rendering, but not unpleasing. I thought it was going to be more extreme, judging by their description of it.
...Allen's Camera took over the space Inkley's was in after they closed, and they're another really good, small shop with a small but well stocked used selection along with their new stuff, and very friendly helpful staff....
I don't really follow, to be honest. Maybe I'm just slow. I don't see how spectral sensitivity would depend on the presence of an orange mask, which serves mostly to correct for the hue of the actual color dyes. Spectral sensitization and hue color are quite different things, aren't they? Sensitizing dyes (and sulfur, gold, osmium etc.) are stuck to the silver grains to manipulate spectral sensitivity. Dye couplers are chosen for the dye and resulting hues they form. Of course there's a relation in a functional sense. But I don't quite follow why the absence of a mask would have implications for spectral sensitivity in a specific band. Unless the argument is "the whole thing is simpler, so that extends to both mask and spectral sensitization". In that sense, I can agree.
Kodak & Fuji etc. have used 2-3 dye-forming layers per color for decades, which gets you beyond the 10-layer mark (easily). I guess they have good reasons for this.
I don't see Harman innovating in a sense that their first market entry with a color film fundamentally improves the state of the art by simplifying the layer stack significantly while achieving similar performance. By all means, it looks like they're inching their way into the field very much like Inoviscoat has been doing, with a rather rudimentary product to begin with. The snippet from the datasheet I saw suggests nothing like a normal C41 color film like we're used to. It looks like something that escaped from the 1960s. Which is not a bad thing, per se. It may have a charm to it.
What is the airspeed of a swallow?
I was surprised with the group that showed the blue skies - didn't expect that from the spectral sensitivity chart. All of them showed pretty high saturation, too. Of course, they're all neg scans...
I am wondering what is with the film leader looking light coloured on Both sides? Are they trying to do a CINESTILL with NO anti-halo provisions?Oh, we've got a datasheet. The red and green curves are more or less parallel, but the blue one isn't.
I am wondering what is with the film leader looking light coloured on Both sides? Are they trying to do a CINESTILL with NO anti-halo provisions?
I'm not sure about C200, but I know for certain that Fujicolor 100, Superia Premium 400, and Superia X-TRA 400 all have. Boxes with a 2026-03 expiration date from all 3 of those films have shown up in the last week online.There are rumors around that Fuji Japan c200 manufacturing and shipping has resumed. Fingers crossed.
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