Pieter12
Member
I have noticed that in today's art (gallery) photo world, there are a number of themes that stand out as the flavor of the day:
Deeply personal work--illustrating one's personal or family situation, present or past. Often delving into personal psychological issues.
Socially relevant work or work that documents and usually criticizes social/ethical situations.
Staged photos, sometimes with models, illustrating of either of the above.
Multi-media, manipulated, collaged, painted, mutilated photos, either originals or found photos, once again often illustrating the first two themes above.
"Novelty" lensless photography--cyanotypes especially.
To a lesser extent, obsolete processes such a tintypes, daguerrotypes, colloidon where the process takes priority over the actual artistic character.
Very often execution and technique are secondary.
Deeply personal work--illustrating one's personal or family situation, present or past. Often delving into personal psychological issues.
Socially relevant work or work that documents and usually criticizes social/ethical situations.
Staged photos, sometimes with models, illustrating of either of the above.
Multi-media, manipulated, collaged, painted, mutilated photos, either originals or found photos, once again often illustrating the first two themes above.
"Novelty" lensless photography--cyanotypes especially.
To a lesser extent, obsolete processes such a tintypes, daguerrotypes, colloidon where the process takes priority over the actual artistic character.
Very often execution and technique are secondary.