Digital cameras produce an indirect artificial facsimile! A film image is a direct facsimile requiring only development of the latent capture.
A photograph is a depiction of reality. Only the original object can be the real thing. Even then, it's not the real thing. Because what it looks like is only a construct in the mind's eye.
This tells me that you haven't a clue about how digital cameras work.No- a digital image just records the photons passing through the lens in a different way - it still requires the action of light upon a light-sensitive receptor. You're getting hung up on some notion of purity and moral superiority for a physical, chemical transformation of an object. It's every bit as artificial as a digital image.
I'm not going to argue against that, because there's no point. But actually believing that is fairly dangerous, as it can be used to justify absolutely anything from trampling flowers to committing genocide.
This tells me that you haven't a clue about how digital cameras work.
It’s rather arbitrary to bring up quantum mechanics here, not to mention the problems with how quantum mechanics is represented. Any sort of “connection” between quantum/classical physics and the topic of this thread is truly silly.
Perhaps there is no such thing as "reality."
Unless of course, you happen to be interested in quantum mechanics and its history, as well as how photography is experienced and perceived, and see some analogies.
This is, of course, a thread about reality and analogies to it.
As a former university physics graduate, and a lifelong photographer, I am probably more likely to see a correlation than someone who is, for example, a dentist.
For most of my career, I was a practicing lawyer, so law related analogies also occur to me.
We tend to find explanations and understanding within analogies that resonate with us, and that varies with the individual.
That is a major reason why discussions like this often become heated - we have different life experiences, and therefore tend to relate at least slightly differently to the issues raised.
I know full well how they work. They're not witchcraft; any camera requires a light-sensitive receptor (sensor, film) that is responsive to light. When exposed to light, the sensor responds and forms an image. Whether a physical transformation (chemical reaction in a piece of film) or an electronic signal is sent to a computer that records the impression on the sensor to a removable media (a memory card, an external drive), it's very much analogous. In fact, while the data used to record the impression of the image on the sensor is a recording using a binary code, it does have a physical manifestation in magnetic switches on the disk where the file is recorded. There's that whole conservation of mass/energy thing at play here - you can't make something out of nothing. Just because the data store is so compressed you can't see it doesn't mean it doesn't physically exist. If that were true (the data was purely virtual) then the massive data farms along the highway near Dulles Airport wouldn't exist.
Sorry. That's not how digital cameras work.
Then explain your understanding of how they work...
Every time I have attempted to explain it to someone it has turned out to be a waste of my time.
If you explained it to someone, somewhere on Photrio, could you please provide us with a link to it? Thank you.
I would like to hear how the Gain/Amplification works in digital compared to film.
Is the ASA the same in both.?
Do some sensors really allow (good quality) 6400 ASA or even higher.?
I kind of assume so....... i see videos shot with digital where the quality is quite good, but there is so damn little light.
Film would never catch what i see modern digital cameras get for still or video
What happens when you turn the gain from 100 to 6,000.
Is it the same as using 100 ASA film Vs 6,000 ASA
Are you actually "Turning Up" the sensitivity of the sensor, as if you were switching to film with a higher ASA.?
Perhaps you would like to start a thread asking this in the Digital Camera sub-forum.
I'm not going to argue against that, because there's no point. But actually believing that is fairly dangerous, as it can be used to justify absolutely anything from trampling flowers to committing genocide.
Digital cameras produce an indirect artificial facsimile! A film image is a direct facsimile requiring only development of the latent capture.
When we started to talk is when we got into this kind of trouble...Language is generally used to justify anything, not experience and understanding through relationships, which are the core structures of reality. It's the idea of seeking and knowing truth, not reality, that gets humans into mass graves.
I may have been harmed or helped by having done philosophy at a university level but I am sure that this essay on the reality of a photograph would not fly in basic Philosophy 101.
The problem lies not in enumerating the properties of a photograph, these are arguably well known, but in correlating those properties with the corresponding properties of reality.
What constitutes reality is ontological question in metaphysics and the several answers to that question do not necessarily form a closed set.
Rather than the original essay a more rigorous approach would be to list the properties of reality and then list the properties of a photograph. Comparing and contrasting both lists
could generate useful insights into what true and false statements could be made about a photograph. But it wouldn't be easy going.
They are both "artificial facsimiles". Digital deconstructs the captured light onto pixels. Film deconstructs the captured light onto grains of silver.
While the mechanisms of capture, storage, and reproduction are wildly different, neither one of them is a perfectly faithful rendering of the scene in question. We get away with this, because our brains are able to look at the macro image produced and not get distracted by the very tiny elements individual, but rather sees them as an integrated whole.
This is generally true across a range of other technologies: analogue tape recording vs. digital audio leaps to mind.
I would suggest that this property of being an artificial facsimile applies - in one degree or another - to any attempt to mechanically capture what our biological senses can.
The print process is different since digital printing with inks does not use light as chemically printing does with an enlarger.
We use cookies and similar technologies for the following purposes:
Do you accept cookies and these technologies?
We use cookies and similar technologies for the following purposes:
Do you accept cookies and these technologies?