UV Enlarger project
A bit of a long post, already posted to Alt Photography group on FB - but this has been a long project and I feel sure some of you will be very interested in the details as much discussion has taken place here.
I finally have a prototype UV enlarger head, that is very powerful. I have now built the head and attached it to my IFF Ampliator chassis, the photos below show the construction. It is not yet ready for prime time and a Phase two is starting to deal with some issue I will describe below.
What I am trying to achieve is a projection of a small negative to print a larger Alt Photo print, for me using Salt or Platinum printing, without the need for enlarged internegatives or Digital Negatives and contact printing.
This was designed to use the IFF chassis and allow initially a 6x9 negative to be in the light path.
I had hoped to add more 500W LED’s to cover a larger negative, hence the over specified 1800W heatsink.
The main, and big problem I have is with the forward IR heat from the 500W UV 365nm LED COB - The IR heat is immense and burns the negatives in 45+ seconds
The reverse heat is well catered for with the 1800W heatsink and fans, so no issues overheating the LED COB, but way too much forward heat exists.
I have tried to filter that IR light with some exceptionally expensive Schott KG5 short pass filter glass that their data sheet shows, allows 85% UV at 365nm and should block IR above 780nm,
This did not seem to work at all – Schott do say that the behaviour will change in the presence of intense UV, clearly what I have!
The negative shown here was exposed for 60 seconds before I smelt something....– Not happy!!~
Normally the Alternative Salt printing photographic process I use requires a same size negative as the final image and is contact printed under a 600W UV metal halide lamp driven from a ballast - At 50cm above the contact of negative/paper a good exposure takes 7 minutes.
The photo below was contact printed in the negative carrier, 25mm below the KG5 filter, 50mm below the 500W LED for only 5 seconds!!!! Yes, 5 seconds, same sort of exposure as you would get for normal Silver papers, showing just how much UV I have here. Exposure is somewhat OK at that time/intensity.
I simply have too much UV, too close to the negative carrier and will now try to move the UV LED so it is maybe 200mm above the negative and keep the KG5 just above the negative so 175mm below the LED
In the current prototype, a piece of Salt sensitised paper was put in the negative carrier for 60 seconds – It was burnt and smoking at that point – See the two small photos – Very bronzed on the sensitised side from huge overexposure and burnt on the back
The last photo was contact printed on the enlarger baseboard using the enlarger as the light path and for 10 minutes exposure – It is about 45%-50% underexposed, so 20 minutes would be about right. This is a fine time for me if I can overcome the destructive heat problems.
The lens used is an old 105mm Nikkor f5.6 that is know for excellent UV performance allowing 80%+ UV to pass - Normally the lens elements and each cement layer block UV and the combined result of a cemented 6 element lens is not much UV gets through. This has for now meant I do not need to go to dedicated Calcium Flouride and Silica UV lenses that are so expensive. I also tried an old Rodenstock 210mm lens and that too worked well - Seems the older lenses without coatings may be best for this.
I have been trying to focus the UV enlarger using a Peak focus finder with a WiFi telescope lens attached that displays to my i-Phone, but this is not so great. I think I will build in some white LED light for focusing and see just how close that is for the UV focus. No possibility of focussing the UV image by eye - The intense UV will blind you.
Not sure how to calculate what the difference may be between focus point on white light or UV? Anybody have an idea?
I will post updates to the group here as I make progress with Phase 2, but also happy to discuss directly.
Thanks to the many people whose brains I have picked along the way here, it is difficult to be SME on all elements of this work. I am based in Switzerland, but the IFF enlarger and prototype head are near Dijon, in France. Alan