A solid result, @Alan Johnson . Looks good for such expired film. Looks like fog was acceptably low?An unboxed roll of FP4 at least 35 years old with unknown storage was exposed in a Kodak 66 at f8 , EI 50 and 25 estimated by sunny f11 assuming Kodak speeds were correct.
It was developed in PC-512 Borax 1+50 with a 1 stop push.
9 out of12 pics had blotches, these were on the non emulsion side.
Conclusion, PC-512 Borax pushed 1 stop is a good developer for long expired film with the usual correction of 1 stop extra for every 10 years old.
A solid result, @Alan Johnson . Looks good for such expired film. Looks like fog was acceptably low?
I developed a roll of Pan F in two year old PC-512...
@Sidd I'll try it, thanks! Thanks for commenting on the video!
@John Wiegerink do let us know how it goes with the 2B-4 and HR-50!
Andy,
This is perfect timing for me since I'm getting ready to develop a short roll of Adox HR-50 in Karl's 2B-4 two bath, which is pretty much two bath PC-512. I have used PC-512 for other films and really thought it did a very good job. I really like developers with looooong keeping qualities. I have already developed two short rolls of HR-50, one in dilute Pyrocat-HDC and the other in ID-11 1+3. I'll compare all these and pick the one I like best. I'll then test that one to a short roll developed in a POTA developer.
I developed a roll of Pan F in two year old PC-512...
It's not quite 2B-4, he's trying PC-512 Borax with a second bath of carbonate. Definitely interested to see the results, though. Thanks John!
2B-4 has sulfite in both baths and was intended to have a reusable second bath. John is going to try a throwaway second bath, as a follow on to a shortened PC-512 Borax development, because a PC-type divided developer doesn't work with a reusable second bath. PC-512 was the main component of 2B-4's first bath. Hence the confusion.
I went through this whole thread ( lots of good information, especially thanks to Alan and others for trying metaborate in a single solution... we can learn from your experiences without having to do it ourselves! )
I'm surprised nobody has tried to make a print developer from this yet. I'm going to try, after an unhappy experience with LPD. I ordered the ingredients I don't already have this morning ( I ordered dimezone S from Freestyle as my phenidone component )
If you make up part B as:
12g sodium sulfite
30g sodium carbonate
5ml TEA
0.5g salicylic acid
1g KBr
with water to 950ml
Then 1+19 would be pretty close to DS-15.
It would have some PG instead of water and it would have an excess of 0.5g of dimezone per liter. Reading the old threads about PC-glycol and PC-TEA, it doesn't sound like a little excess phenidone is going to change much. Leave out the KBr and it's replenisher.
There's something kind of neat about having one concentrate to make film and print developer... ( like people used to use dektol, or how HC110 can be used for paper in a pinch... ) Anyway, we'll see what happens.
With the higher contrast Aviphot 80 derivative film Adox HR-50 I found that negatives of normal contrast could be obtained by developing to a lower maximum density in PC-512 Borax 5min 20C.
This suggests diluting the PC-512 Borax to give a more practical development time for warmer conditions.
In case a longer development time is more convenient with Adox HR-50 in PC-512 Borax, I found that for EI=50, a time of 10m 20C works with the PC-512 Borax solution added to an equal volume of water.
EG, 245ml Borax solution +5ml PC concentrate +250ml water to make 500ml for development 10m 20C,agitate 10x start then 2x on each minute.
As with the 5 min time for PC-512 Borax 1+0 ,the negatives are of reduced density to lower contrast.
I don't have the time to experiment at the moment, but previously saw an interesting effect with this film where overall contrast seemed to reduce with denser-than-normal negatives. Not so dense as to be over-developed, but denser than you might ordinarily target as ideal. If you are still in experimental mode, that might be worth a shot.
Thinking through this some more, I suspect that the cases where I observed that may also have been over-exposed. It was a casual observation and not something I've tested.I cannot figure out how overdevelopment might decrease contrast so long as Dmax is reached.. Any views?
Thinking through this some more, I suspect that the cases where I observed that may also have been over-exposed. It was a casual observation and not something I've tested.
PC-512 Borax 1:50 7m 20C works well for FP4+ Cine Film (post 456).
Here are my start times times for PC-512 Borax at 20C (with 5 inversions at start and 2 inversions on each minute ,not that critical):We may want to compile a set of dev times that are working for various films. I'd be happy to add those on my blog post if you'd be interested to contribute the times you have found to work. Or we could make a page here in the Resources and I could link it from there.
Here are my start times times for PC-512 Borax at 20C (with 5 inversions at start and 2 inversions on each minute ,not that critical):
FP4+ EI=125.................................7m
FP4 cine film 517..EI=100........7m..........low cost film UK only, see post above Oct 18 2024, still available.
FP4 cine film 517..EI=200........9.7m
400 T-Max..EI=400.....................6.7m.......full film speed 400
Adox HR50.....EI=50....................5m
Adox HR50.....EI=50 in half strength PC-512 Borax.......10m (post Jan 28 2025)-highest resolution ex microfilms, but slow for hand holding on dull days.
I agree that PC-512 Borax provides sharp fine grain at box speed ,good project.
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