btaylor
Subscriber
Apparently the OM optics were good enough that Moviecam rehoused them for their cameras. I knew of many Nikon mount conversions for cinema, but the Moviecam rehousing was news to me. If they were good enough for mopic production work…
I lusted after the OM because they were small, unobtrusive and very quiet compared to other slr’s of the time, and I couldn’t afford a Leica M. The Nikon F (especially with that massive FTn finder) was kinda huge, and loud. But their support network was unmatched and they were perhaps the most robust slr’s out there (maybe still are!).
I lusted after the OM because they were small, unobtrusive and very quiet compared to other slr’s of the time, and I couldn’t afford a Leica M. The Nikon F (especially with that massive FTn finder) was kinda huge, and loud. But their support network was unmatched and they were perhaps the most robust slr’s out there (maybe still are!).