Allow me, dear Moose22, to 'participate' in your experimenting, and I do hope not to offend you.
What I see is what is to be seen in many photographs of buildings made with a wide angle lens, or an any other focal, and without vertical perspective control.
Just a snapshot while walking around Vatican City. You reminded me of it Phillipe-Georges.
I love your peeks through portals. I should start looking for opportunities to explore that sort of composition.
Oh, I know that. It's that light on the cobbles that I am talking about exploring. Your interiors lit though doors or windows seem to have just enough detail that I find myself looking at the light reflecting off the stone wall, or the floors.Dear Moose22, what you call "peeks" isn't really my intention, it's more a 'research' for the light falling in, look at the street cobbles how they become 'alive'.
Looking thru an opening is looking into the light. I am more interested in what the light does with the object than the object as such
(although the object is most of the time as interesting as the light is (sic))...
Anyway, what we see (and photograph) is the thing rendered by the reflexion of the light falling (striking) on it, not really the 'thing'
Near the entrance at the papal palace, Avignon, Vaucluse, France.
Mamiya C330, 80mm f/2.8, Ilford FP4+, Rodinal 1+25:
The gate of the papal palace, Avignon, Vaucluse, France.
I love your peeks through portals.
Just a snapshot while walking around Vatican City. You reminded me of it Phillipe-Georges.
Just a snapshot while walking around Vatican City. You reminded me of it Phillipe-Georges.
Hey, Jordan! Great photos!
Do you recall why the flags are half-mast on the first photo? According to dictionary.com (and from what I knew) it's meant as "a sign of mourning or distress".
It's in response to the Texas school shooting.
There's so much really good stuff on this photo, even though the keystone-effect would offend some architectural photographers.
In your defense (not that you need it), it would be impossible to get that blue sky and clouds from a point where the keystone-effect wouldn't happen. Perspective correction would make the picture look flat, because of the heavy inclination.
I also love the way the arch in the middle looks warm, in contrast with the sky, and also with the façade closer to the point of view. It calls the attention of the viewer to the decorations under the arch and the statue on the left. Superb.
For a "snapshot", you really got some very interesting compositional elements in there.
I will take imperfect pictures over no pictures any day of the week.
The gate of the papal palace, Avignon, Vaucluse, France.
View attachment 306865
Hasselblad SWC on Tri-X 400 processed in Pyrocat-HD
Nice!
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