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Philippe-Georges

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Basilique Sainte-Marie-Madeleine de Vézelay, ancienne abbatiale française du XIIe siècle située à Vézelay, dans le département de l'Yonne en Bourgogne-Franche-Comté, France.
Detail somewhere in the side aisle on the north side, I don't know what the purpose was for that little niche in the wall, it was hardly 50 cm high, finely carved and hidden in the side of a bench, showing how 'dark' a roman building can be...
VEZELAY 18.JPG

Hasselblad SWC no filter, on HP5+ @ 1600ASA (full open aperture and 1/30sec, handheld in ambient light) in FX-55 30min at 20°C (normal agitation), dry scanned on Epson 750.
 

Philippe-Georges

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Under the bridge, Sint-Joris bridge, Portus Ganda, Ghent, Flanders, Belgium.
GENT 05.JPG

Hasselblad 500C/M and Distagon C 50mm T* + K2 filter on HP5+ in FX-55 16 min at 20°C, dry scanned on Epson 750.
 
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Sirius Glass

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Philippe-Georges

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What were you standing on or were you levitating?

That question is rather easy to answer, look at the bluestone border in the right under corner, you will see my shadow (waring a hat)...

In the 19th and beginning of the 20th century, the canals and canalised rivers were the heavyweight roads for the industry (in Ghent that was mainly textile and dito machinery) connecting these with the harbour. In the city, the towpaths were hardened so horses (and men) could easy pull the barge, and these could also serve as an unloading quay.

The bluestone border you see here was, besides a protection for the base of the bridge, a small passage so the cable, used to tow the barge, could be passed under the bridge by a man, then to be re-attached to the horse waiting on the other end of the bridge, as the bridge wasn't high enough and that path wasn't wide enough to let the horse spass.

On the opposite bank you see a newly built bicycle passage.

In the 'landscape' thread, you see a view from the same spot but in the opposite direction...

PS: once my photography studies rounded (1980), I worked for 3 years in the museum for industrial archaeology, as a photographer...
 
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Philippe-Georges

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Rhythm of the western facade of the city hall, Ghent, Flanders, Belgium.
GENT 08.JPG

Hasselblad 500C/M and Distagon C 50mm T* + K2 filter on HP5+ in FX-55 16 min at 20°C, dry scanned on Epson 750.
 

Philippe-Georges

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Schepenhuisstraat (small street, originally traced in 1290, leading towards the city hall), Ghent, Flanders, Belgium.
GENT 07.JPG

Hasselblad 500C/M + Distagon C 50mm T*, no filter, on HP5+ in FX-55 for 16min @20°C, dry scanned on Epson 750.
 
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I keep coming back to look at your photos. Do you work with a gallery?

Thank you for the kind statement. I made another image that morning a few miles down the road. It was of an old Telephone Office. It's on page 19 of the Post Your Landscape Photo thread.

I'm not associated with any gallery. It's a long and not very interesting story. I've been uploading these images because most haven't been seen by many people before (some less than 10) and I wanted them to be seen. Most of the images are "workprints" scanned on a 1990s flat bed scanner. The goal is to motivate myself enough to want to work on the finished versions.
 

MTGseattle

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one thing I find hard if I cannot spend much time at a given place is trying to both absorb the overall mood of the place and try and come back with a decent image within the same short visit. The Rock of Cashel in Ireland comes to mind. I had all of about 30 minutes there, and the images I took back are all pretty un-inspiring from such a cool site.
 
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one thing I find hard if I cannot spend much time at a given place is trying to both absorb the overall mood of the place and try and come back with a decent image within the same short visit. The Rock of Cashel in Ireland comes to mind. I had all of about 30 minutes there, and the images I took back are all pretty un-inspiring from such a cool site.

I spent a day there and only got a couple of interesting shots of the headstones. It's the question that creates so much anxiety when shooting. Do I hang out at a cool spot hoping for good light or do I move around looking to be inspired? Returning to a scouted location when the conditions are right have on more than one occasion produced good but lifeless images for me.
 
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TJones

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Thank you for the kind statement. I made another image that morning a few miles down the road. It was of an old Telephone Office. It's on page 19 of the Post Your Landscape Photo thread.

I'm not associated with any gallery. It's a long and not very interesting story. I've been uploading these images because most haven't been seen by many people before (some less than 10) and I wanted them to be seen. Most of the images are "workprints" scanned on a 1990s flat bed scanner. The goal is to motivate myself enough to want to work on the finished versions.

I hope the feedback you’re getting helps. Your work is excellent.
 

Chuck_P

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This is the domed sunlit atrium at the West Baden Springs Hotel in French Lick, Indiana......a very impressive structure. I visited there on Saturday and had some time to make four photographs. I'll not be expending paper on this image so I present it here as a scanned negative. I need to get a handle on some dust issues.

KB Canham DLC45 with a 135mm Rodenstock Sironar-N lens. Kodak 100TMX developed in XTOL for Kodak's recommended time at 68 deg F.

Edit: when viewed on my desktop monitor, the contrast is more in line with how it should be seen...on my phone, the shadowed placement of the background interior spaces at center-right and center-left are about 1/2 to 2/3 stop too dark.......the nature of the beast, I guess.

West Baden Springs Hotel Atrium-1.JPG
 
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Chuck_P

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Sorry......perhaps a moderator would like to move this to the "Interior Architechural Photographs" thread.
 
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This is the domed sunlit atrium at the West Baden Springs Hotel in French Lick, Indiana......a very impressive structure. I visited there on Saturday and had some time to make four photographs. I'll not be expending paper on this image so I present it here as a scanned negative. I need to get a handle on some dust issues.

KB Canham DLC45 with a 135mm Rodenstock Sironar-N lens. Kodak 100TMX developed in XTOL for Kodak's recommended time at 68 deg F.

Edit: when viewed on my desktop monitor, the contrast is more in line with how it should be seen...on my phone, the shadowed placement of the background interior spaces at center-right and center-left are about 1/2 to 2/3 stop too dark.......the nature of the beast, I guess.

View attachment 329598

Nice image.
 

Chuck_P

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West Baden Springs Hotel, French Lick, Indiana. Canham DLC45 w/ 135 mm Rodenstock Sironar-N Lens; Kodak 100TMX; Ilford MG RC Deluxe, Selenium 1+10.

Edit: Perhaps a #8 yellow filter would've been enough to provide the darkened sky value. The sky was deeply blue saturated that day and the #21 orange filter, in retrospect, may have been a bit strong.

West Baden Springs Hotel - outside001-3.JPG
 
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Donald Qualls

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West Baden Springs Hotel in French Lick, Indiana

I remember this used to be the premiere site for indoor free flight model duration competitions -- big, round space with all that height up to the girders. Then they started enclosing stadiums...
 
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