Paul Howell
Member
I normally see a 1/2 to full stop between a reflective and incident and meters depending on the scene, how much sky, or very bight and large reflective surfaces may be present. It is my understanding that Nikon optimized their version of matrix or evaluative meting for slides, not sure if true or not, with my F4 I use avenging mode for black and white. A few weeks ago I did shoot a roll of Foma 400 rated at 400 in my Nikon F using sunny 16, developed in Diafine. Lighting was good, used the old Kodak sunny 16 caculator from my Kodak Feild, without a desemotoery not sure if I can see any differance between sunny 16 and my Nikon F4 or Minolta 9.