I like the grain and tonality in D76;very similar to TMax100 but prefer FP4+I have only shot a dozen rolls or so in 35 and 120, but I like the detail and grain. For me, it has been on the contrasty side, maybe not as much tonal range as other Ilford emulsions I've used (HP5+, FP4+). Of course, I develop everything in Rodinal, so that flavors it all.
+1 to that as far as overall contrast is concerned. Whether regular B&W negative film is contrasty or not depends mostly on developer and timing.One comment it's not a contrasty film and gives very good fine grain, but like all films you ideally need to test and find your personal EI and development time, in "Nomal" lighting conditions, to consistently get the best from it.
I've seen threads on specific Ilfords films (HP4+, HP5+, Pan F+ & Delta 400), but none their Delta 100 (at least that I could find here).
So I wanted to start a thread specifically for the film to compile/see what people's thoughts are it in one place, instead of digging around a 100 other threads to get an idea about it.
So if you shot the film before/use it consistantly, etc. if you could leave your experiance(s) with the film here, like:
- What are your likes/dislikes about it?
- Your go-to/favorite developer(s) you use with the film
- Developer(s) that gave you bleh results.
+1 to that as far as overall contrast is concerned. Whether regular B&W negative film is contrasty or not depends mostly on developer and timing.
There is the issue of micro contrast, though, and depending on their emulsion composition some films may be better in this regard than others. Delta 100 is a film said to offer good sharpness at the expense of slightly coarser grain compared to TMAX 100.
fotoimport.no seems to confirm your statement: TMAX 100 vs. Delta 100.In terms of grain and sharpness I've not really noticed a difference between Delta 100 and Tmax 100, probably the main difference is I find Delta 100 is a touch faster, I always shot Tmax 100 at half box speed while I use Delta 100 close to or at box speed depending on lighting/shadow details.
I still have the John Sexton articles on Tmax films written before the official release, my own testing lead me to shoot it at 50EI, like John Sexton suggested. My main films were APX25 (120)and APX100 (all formats) at the time and I'd process Tmax 100 and APX100 alongside each other in Rodinal in the same developing tank, the only difference was I shot the APX100 at box speed and Tmax at half box speed, they'd print same grade of paper. I preferred APX100 because the extra stop was important when working hand held.
These days I shoot Delta 100 & 400, and also HP5 (LF only) all processed in Pyrocat HD.
Ian
May I ask you : Andrew at what EI HP5's grain is fine for you.......I used to shoot this stuff in 4x5 in the 90's. I liked it. Sharp. Developed it in Xtol 1+1. But... I had too much of a love affair with HP5, and gave it up. It must be HP5's conventional grain, I guess...
Yes it does.Theres something about the delta 100 and gloomy days..it really shines!!
May I ask you : Andrew at what EI HP5's grain is fine for you.......
with regards
PS : The old day's beloved HP5 at EI 1600 (some pushed EM up to ISO 6400)!
[they had the need of :"to have THE press shot in darkness or to HAVE IT NOT" ]!
So many seems to had their " Hard Days Night " during the 60s (beside the Beatles)=
Press Potographers
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