I cannot understand why a reaonably inteligent person would suggest that Harman would knowingly sell a faulty product to customers . Are you aware of the history of this firm and its on going comitment to film photography, and the lengths they go to in their quality control of the producys they sell. Shame on you for such words.
Would you have read my posts you would have realized that I know the photochemical industry for many years, and their history. Moreover I participate in that industry, to its great financial benefit, and to people who kept their jobs.
I do not feel ashamed of any of my word. Instead you better consider your words.
I cannot understand why a reaonably inteligent person would suggest that Harman would knowingly sell a faulty product to customers
I did not say Harman did, but instead I said that from all we know Kodak Alaris did. (There even may evolve a legal case for Kodak Alaris.)
Harman admitted in 2013 that the base of a certain batch had scratches. The same time stating that they cannot check every meter for any defect. (What anyone involved in the industry knows.) Their statement on the scratches not affecting the image thus can only be based on their test samples and on what customrs sent in.
At any production a artefact that just-not affects the product quality must be avoided at all. A production in the hope it will not matter is utmost risky. More so when mosdt tiny tolerances at such artefact decide over it appearing or not. More so in a industry as ours, where not each and every product can be controlled and were the late recognition of a fault may mean the loss of a small fortune.
Now we got (on what we know today) the same artefact appearing again. That is no good seen what I explained above. The conclusions to be drawn from this is solely up to you.
The replacement of a faulty role is a standard guarantee of all film manufacturers which I think is a good one, ever tried getting a new car sorted that is faulty?
I did not question this, moreover it is a legal requiremrnt in many legislations.
The photographer however who spent time and effort to take some photograph often is has bigger loss than just the cost of film. In this context the appearance of an artefact may flippantly be tolerated. However changing a production may by magnitude be more costly than paying product cost refunds, as countless cases from various industries showed.