Nobody mentioned about Samyang 35mm F1.4? Sounds like it's a very good modern lens too and it has aperture ring.
I only found this old rule of thumb to be generally true for budget medium-format lenses which mostly comprised triplets in folders, in Seagull TLRs or some lower examples on someones try on a tessar-design. I found top-notch medium-format lenses to be generally on-par with the best in 35 mm, e.g. a Hasselblad Planar 2.8/80 mm F outperformed a Leica M-Summicron 2/50 v4 in my tests. Many other were in the same ballpark where the visible differences couldn't be attributed to the format they were intended for rather than to the construction at hand. This may have shifted with newer lenses as there hasn't been as much development for MF lately.Quality lenses for 35mm pretty much always have greater resolving power than a MF or LF lens. Perceptual sharpness is a function of (among other things) lens resolution divided by magnification ratio to make a given size print. Because the smaller negative needs more magnification, the lenses have to be higher resolution. I was first astonished by this when I started looking at the published resolving power of my Nikon lenses vs. MF lenses.
Yep, noted and agreed.
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