But also take note that those limits of the film are one contributing factor, the other factor is still the lenses mtf. The apparent sharpness of the picture is the product of both. With a film of lower resolution a lens having higher contrast at lower frequency may produce more pleasing results even if it is not able to produce adequate contrast at high frequency.
For instance, I used a 2/35 mm AIS for decades, untill it litterally started falling apart in my hands and loved to use it on HP5+ or regular 100 ISO slidefilm. Nice, sharp images. But when I tried to use it with Tech-Pan to print larger and circumvent the necessity to use medium format I found I crossed its limits as the fine detail was just mushy although I used the whole set of tricks to prevent shake, use the optimum aperture aso. The Nikkor 2.8/55 mm was much more usable for this. Always pick the tool for the task.
With the latest construction you are on firm ground, though. Their MTF is so much higher at all frequencies, there simply is little to discuss. For film I still like to use some of the more temperamental classics and just added a 1.4/35 mm Nikkor AI to my inventory.