Kilgallb
Subscriber
Kodak recommends putting the film back in the fixer then rewashing.
It has everything to do with retained silver as described (there was a url link here which no longer exists). Since sensitizing dyes stick to silver quite well (or they wouldn't work), complete removal of silver ions is key to overcoming/avoiding this dreaded magenta stain. UV light may kill the dye, but not the retained silver, and the longevity of your negs will inevitably suffer.It has nothig to do with silver.
I also wash the film with warm water (warm, not hot).
Based on Kodak's (and other's) recommendation, I would like to use hypo clearing agent to remove the TMax pink stain. Steven Anchell, in The Darkroom Cookbook, 2nd ed., gives a formula for hypo clearing agent, which calls for sodium sulfite and sodium bisulfite. How necessary is the inclusion of the sodium bisulfite for use on TMax films?
It has everything to do with retained silver as described (there was a url link here which no longer exists). Since sensitizing dyes stick to silver quite well (or they wouldn't work), complete removal of silver ions is key to overcoming/avoiding this dreaded magenta stain. UV light may kill the dye, but not the retained silver, and the longevity of your negs will inevitably suffer.
Some soaks in water as part of the wash normally removes the remaining dye in TMax films. If you want to use a hypo clearing agent and want to mix your own, you can just mix a 2% sodium sulfite solution in distilled water. To this you can add 1-2g sodium bisulfite if you wish. The addition of bisulfite is to make the sulfite solution less alkaline, but it is not really required.
Hmmmm... we used to have a looooooooong sticky thread made up of all the threads on this topic. I wonder if it blew up in the database somewhere.
How about moving this to the sticky so that we can avoid repeating the samethings again and again redundantly too.
It seems to have gotten unstuck, and doesn't come up easily on a quick search. There are also others that could be shoveled together, when I have a free moment.
Update: Still looking for the mother of all pink stain threads in the archive, but meanwhile I've merged the latest to a particularly useful one started by PE, and made that the current sticky thread on this topic.
You might want to re-title the reinstated thread too.Hi, my question had to do with the chemical composition of hypo clearing agent. I ask that my question be put back where it was.
Hi, my question had to do with the chemical composition of hypo clearing agent. I ask that my question be put back where it was.
Interestingly a U.K. based author called Harry Fearn, of "Better in Black and White" fame wrote about this as far back as 2000. TMax 100 and 400 were his favourite and thus his stock films. He fixed for as long as he developed which was between 10 and 11.5 mins for 400 and 100respectively.
It would seem that there is something different about these Kodak films. I have never seen this phenomenon with Ilford or Fuji films.
It would seem this is the price you pay for the benefits of using these films. It would appear to be a true price in that the films exhaust fixer quicker than comparable( or not comparable if you think Kodak Tmax films to be better)films or is the jury still out on the quicker fixer exhaustion aspect?
pentaxuser
I went back to some of my earlier TMX negatives (2005). I found several with the uneven pink stain. I did a refix for 7 minutes and rewashed and eliminated the stain. I have been more careful lately and now fix Tmx for 10 minutes and throw out my fixer more frequently . (Every 32 sheets of 4x5)
Unfortunately, I'd did find two (out of a or 250) with the pink stain that also had the tell tale sign of brown stains.
You cannot ignore the pink stain. Refix and rewash is the answer.
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