Post your woodland scenes!

David T T

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• Aug 7, 2018

• #26

Wow folks, these are fantastic.

 

naeroscatu

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Newmarket On

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• Aug 7, 2018

• #27

paulbarden said:

Hiking last weekend on Cape Lookout, north of Newport in Oregon. I've lived in this area 20 years and never taken the trail down this peninsula.
Photographed on Ilford Delta 400 with my "new" Kodak Retina III. Film processed in BER49, my new favorite developer.

View attachment 205320

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Beautiful image, Paul. I'm so inspired and eager to try my new Retina III that just came back from CLA. Here is something of the wood nature. I was thinking that trees have distinctive look and I dare to say personality.
Camera: Rolleiflex 2.8E
Film: Kodak TMax 100
Developer: D76 dil 1:1

 

OP

OP

marcofimages

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• Aug 7, 2018

• #28

Ces1um said:

I literally live in the woods. This is a 3 minute walk from my front door.

View attachment 205420

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Did you comb the fern before?

No but seriously nice shot!

 

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marcofimages

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• Aug 7, 2018

• #29

Dan Pavel said:

Yes, I started with a scanned negative, then I made a larger Digital Negative in PS, printed it on Pictorico Transparency film and contact-print the film on Fabriano paper sensitised with VDB sensitiser.
The outer effect is "natural" - the brush traces on the paper when I applied the sensitiser (the sensitiser is applied locally, not on the entire paper).

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Thanks for the explanation, very informative.
So many possibilities

 

removedacct1

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• Aug 8, 2018

• #30

naeroscatu said:

Beautiful image, Paul. I'm so inspired and eager to try my new Retina III that just came back from CLA.

Click to expand...

I'm finding the Retina IIIc to be a very pleasant camera to use, and the results are quite respectable for 35mm. I hope you will enjoy yours too! Who did the CLA? Was it Chris Sherlock?

 

Ces1um

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• Aug 8, 2018

• #31

marcofimages said:

Did you comb the fern before?

No but seriously nice shot!

Click to expand...

I make it a point to comb all the ferns just prior to shooting. They should always look their best.
Thanks!

 

David Brown

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• Aug 8, 2018

• #32

 

naeroscatu

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• Aug 8, 2018

• #33

paulbarden said:

I'm finding the Retina IIIc to be a very pleasant camera to use, and the results are quite respectable for 35mm. I hope you will enjoy yours too! Who did the CLA? Was it Chris Sherlock?

Click to expand...

Hi Paul, yes it was Chris. He did a fantastic job. Can't wait to get a roll through it. Will post something here

 

awty

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• Aug 10, 2018

• #34

8x10 pin hole film negative contact printed on Vandyke brown emulsion on 8x10 cotton rag, gold toned.

 

Alan Edward Klein

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• Aug 11, 2018

• #35

Stream by Alan Klein, on Flickr
Mamiya RB67. 50mm lens. Tmax 100 film with Xtol developer. Scanned with Epson V600 processed in LR6

 

David Lingham

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Cardiff St Wales UK

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• Aug 14, 2018

• #36

Dragon hidden in a Welsh woodland. 35mm Nikon F2. 10x8 print on Ilford Classic, sepia and selenium toned.

 

abruzzi

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• Aug 16, 2018

• #37

Not much woodlands down here in the desert. (unless you want creosote bushes and mesquite trees.) But here are two pictures taken near Cloudcroft, NM with a Nikon F4 and Velvia 50 for the first and Ektar for the second:

 

Rick A

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• Aug 16, 2018

• #38

McAuley Falls
Zeiss Nettar/Acros 100

 

MattKing

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• Aug 16, 2018

• #39

One of many - I love photographing trees!

 

Maris

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• Aug 17, 2018

• #40

Spring Saplings, Mount Beauty
Gelatin-silver photograph on Agfa Classic MCC 111 VC FB photographic paper, image area 16.3cm x 21.2cm, from a Tmax 100 rollfilm negative exposed in a Mamiya RB67 medium format single lens reflex camera fitted with a 127mm lens.

 

ced

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• Aug 18, 2018

• #41

In our local forest a pano from 5 frames stiched in PS and converted to B&W via NIK.

 

GLS

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• Aug 26, 2018

• #42

Hasselblad 501CM, Distagon 4/50 CFi, Pan F+, XTOL

Hasselblad 501CM, Planar 2.8/80 CFE, T-Max 400, Pyrocat-HD

Pentax 6x7 MLU, SMC 4/55, Acros, Pyrocat-HD

 

David Lingham

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• Aug 27, 2018

• #43

A local woods. 35mm Nikon F2, 50mm. Sepia and selenium toned Ilford Classic.

 

mard0

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• Aug 27, 2018

• #44

Mastenbos near Kapellen, Belgium. Yashica 124g, fomapan 200 in 510-pyro. Printed on fomatone 132 mg classic lightly selenium toned.

Houvast by Martijn Doornbusch, on Flickr

 

Last edited: Aug 28, 2018

Maris

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• Aug 27, 2018

• #45

Twin Snow Gums, Grace
Gelatin-silver photograph on Arista Edu Ultra FB VC photographic paper, image area 19.7cm X 24.5cm, exposed in contact with a Fomapan 200 negative. Camera was a Tachihara triple extension 8x10 field view camera with a Fujinon-W 300mm f5.6 lens.
The trees had grown in each others company for 300 years but now one has died, one still flourishes; grace in life and death.

 

Tom Taylor

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• Aug 28, 2018

• #46

A party in the forest::

 

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marcofimages

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• Sep 2, 2018

• #47

David Lingham said:

A local woods. 35mm Nikon F2, 50mm. Sepia and selenium toned Ilford Classic.View attachment 206854

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Love this light. It's still being elusive for me. Thanks for sharing!

 

Charles Escott-New

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• Sep 2, 2018

• #48

I have enjoyed this collection of pictures more than any other. Amazing that there is not one average shot, you should all take a bow, thank you.

 

Vaughn

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• Sep 2, 2018

• #49

A 4x10 carbon print.
Prairie Creek Redwoods State Park, CA

 

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Vaughn

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• Sep 2, 2018

• #50

8x10 Carbon Print
Prairie Creek Redwoods State Park, CA

 

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Last edited: Sep 2, 2018