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Vaughn

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Whoa, Bryan! That does a weird trip to my eyes/brain! A 3D effect with both eyes open, less with just one open. Cool.
 

BAC1967

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Whoa, Bryan! That does a weird trip to my eyes/brain! A 3D effect with both eyes open, less with just one open. Cool.
Thanks Vaughn, don’t stare at it too long, you might have a bad trip or go cross eyed.
 

esearing

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stump-on-a-rock.jpg


And feeling a bit creative I wrote a very short story about the life of the little stump. I have no illusions about my future as an author, but enjoyed the exercise.
I think it may be my southern heritage that makes me want to "spin a yarn" (tell a story which has some elements of truth but is otherwise fictional) .
http://www.searing.photography/the-stump-on-a-rock/
 

Vaughn

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...I also need to understand something about the carbon printing.
Thank you. The way I print carbons is sort of like silver gelatin prints on steroids. Carbon printing, patented in 1864, is a UV-sensitive process using gelatin, pigment (often carbon) and dichromate to form the image. The image is actually made of different thicknesses of exposed gelatin -- the blacks are made of a thicker layer of pigmented gelatin than the highlights. Thus it is possible to get prints that have a raised relief. Pretty cool. A highly controllable and permanent process. Of course, being highly controllable means that it can also easily go out of control!

Edited to add: You have to add some sugar, also!
 
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Maris

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25875989551_c74b3a08e5_c.jpg

Broad Snow Gum. Charlotte Pass


Gelatin-silver photograph on Fomabrom Variant III photographic paper, image size 24.6cm X 19.5cm, from a 8x10 Fomapan 200 negative exposed in a Tachihara 810HD triple extension field view camera fitted with a Fujinon-W 300mm f5.6 lens.


 

norm123

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Fuji GSW690
Rollei IR400
Hoya 72R filter
Selenium toned with bleach after
 

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Vaughn

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An interesting and challenging composition, Normand. Wonderful tonality.
 

Kodachromeguy

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Wow, there are some fabulous examples in this thread. Here is a sample from Port Gibson, Mississippi. Film: Ilford Delta 100. Camera: Voigtlander Vito BL with 50mm f/3.5 Color-Skopar. Scanned: Plustek 7600i film scanner. I am still learning how to use this little Skopar lens.

20181215e_Tree-US61-PortGibson_cleaned_resize.JPG
 

GLS

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I already posted this one in the landscape thread, but it's just as relevant here.

Hasselblad 501CM, 4/50 CFi, Ektar 100, Lee CPL. Converted to B&W.

46038586315_2645607171_b.jpg
 

LimeyKeith

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stump-on-a-rock.jpg


And feeling a bit creative I wrote a very short story about the life of the little stump. I have no illusions about my future as an author, but enjoyed the exercise.
I think it may be my southern heritage that makes me want to "spin a yarn" (tell a story which has some elements of truth but is otherwise fictional) .
http://www.searing.photography/the-stump-on-a-rock/
Love both the picture and the story Eric.
 

John Galt

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Near where I grew up in Hillsborough, NH. June 2018. Hasselblad 500CM, 80mm 1:2.8 Zeiss Planar, Ilford Pan F+, D-76 1+1, negative scan, 3 seconds at ??, ND Filter

Summer Stream, Hillsborough NH.jpg
 

MattKing

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Looks great, but what we really want to see is photos of your Photrio "location" :whistling:.

Near where I grew up in Hillsborough, NH. June 2018. Hasselblad 500CM, 80mm 1:2.8 Zeiss Planar, Ilford Pan F+, D-76 1+1, negative scan, 3 seconds at ??, ND Filter

View attachment 216754
 
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