Me too, but it's a different scope because it is more of a reintroduction that unfortunately ran into so many hurdles. Kudos to both Harman and Adox for the interest and efforts on film however!I'm way more excited about CHS100 in 120. And I like how Adox did it. Just drop the message. No teasing. And just making use of all the people waiting from another new film from a competitor, in 3 days
+1 on that. And it does not even have to be color. Adox have shared quite a bit on what they have been up to and Silvermax was manufactured with Agfa legacy components that IIRC would be too uneconomical to synthesize now. And Ferrania's halted E6 was also due to the legacy chemicals not being good anymore.The colour rendering/ sensitivity being a bit wayward seems to be where the hints are pointing. If you dig up Ron's Colour System Engineering posts, you can see where the evolutionary steps run. From here, Harman's organic chemists will likely need to start producing more customised components (which gets expensive very very fast) to get it zeroed in. It may well be that Ilford has done this as an experiment to see where the couplers etc that they already make would get a colour film to, and Phoenix is being run up the flagpole to gauge demand before they go full steam ahead on making chemicals that would be needed to solve any weirdnesses.
The most interesting parallel is Orwo/Inovis. The plant has been manufacturing color for Polaroid for a long time and supposedly there is a lot of ex Agfa capital (both human and material) yet we see how they are iterating and reiterating; perhaps their NC200 will be much more similar to Agfa consumer film from the 90s.
It will be interesting to see how things advance.